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ÛÛÛÛÜÜ° ° ÛÛÛÛÛÛÛÜßÜÛ ÛÛÛÛÛ°ÛÛÛÛÛÛÛ ÛßÜÛÛÜÛÛ ßßÛÛÛÛß ² ܲܰÛÛÛÛÛ ± ± ÛÛÛÛÛ² ÜÛÛÛ ÛÛÛÛÛÛÜÛÛßßßßß ÛÛßÜÛÛÛÜÛÛÜÛÛÛÛÜÛ° ß °ÛÛÛÛÛ ² ² ÛÛÛÛÛ²Û ÛÛ ÛÛÛÛßßÜÜÜÜßÛßÛÛßÛßÛ ÛÛÛÜÜÜÜßßßÛÛßÛÛÜÜÛÛÛÛÛÛ Û Û ÛÛÛÛßßÛßßÜÜÜÛßßßß Ü ß ßßßß ß ßßßÛÛÛÛÛÜÜßßÛÛÛÛÛß Û ÛÜßßÜÜßß ß ßßßÛÛÜÜÜÜÜßÛÛ Û ÛÜßß ßßÜÛÛÜÛÛÛ ² Û ÛÛß . ...:APOCALYPSE PRODUCTION CREW:... . ßÜ ÛÛ Û ÛÛ² ßÛ ÛÛ² ²ÛÛ ÛÛÛÛ °ÛÛÛ ARTIST..: Tantric ENCODER.: Lame V3.90.3 ÛÛÛ² ²ÛÛ² TITLE...: After We Go K/BITS..: VBR ²ÛÛÛ ÛÛÛ° LABEL...: Maverick MODE:...: Joint-Stereo °ÛÛÛ ÛÛÛ GENRE...: Rock TRACKS..: 12 ÛÛÛ ÛÛÛ TIME....: 48:27 min ÛÛÛ ÛÛÛ RIP DATE: 02/24/2004 SIZE....: 82,6 MB ÛÛÛ ÛÛÛ REL DATE: 02/24/2004 SOURCE..: CDDA ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ° ßßÜ ° ° Üßß ° ÛÛÛ ÛÛÛ °Û Û° ÛÛÛ ÛÛÛ °Ü ÜÛÛßßÜÜÜÜÜßÜ° ° ° ßÜÜÜÜßßÛÛÜ ° ÛÛÛ ÛÛÛ ² ÛßÜÛÛÜÜßÜ ßßÜßÜÛÜ° ÜßßÜÜ ÜÜÛÛÜßßÜ°ÜÜßßÜÛßÜÛ ÜÜ ÜßßÛ Û° ß ° ÛÛÛ ÛÛÛ Û Û ÜßÛÛÜßßÛßßßÜÛÜÛÜÛÛÜßßÜÛÛÜßßßßßßÜÛÛÜÜßßßßßÜÛÜÜÛßßÛß ßßÜ ² ÛÛÛ ÛÛÛ Û ÛÜÛßÛÛÜÛÛßÛÛÛÜßßßÜÜÜÜÛÛÜ° ÜÛÛßÛÛÛÜ ÛÜÜÛßÛÛÛÜ °²ÜÛßÛÛÜßÛ ÛÛ Û ÛÛÛ ÛÛÛ Û ÜÛÜÛ²ÛÛÛ² ÛÛÛÛ ²ÛÛÛ ÛÛÛÛ ÛÛÛÛ ÛÛÛÛ°ÛÛÛÛ ÛÛÛÛ° ÛÛÛ ÛÛÛÛÛÜÛÛ Û ÛÛÛ ÛÛÛ²ßÜÜßÛÛ°ÛÛÛÛ°ÛÛÛÛ°ÛÛÛÛ ÛÛÛÛ°ÛÛÛÛ° ÛÛÛÛ ° °ßÛÛÜÜÜ ²ÛÛ Û Û ÛÛÛ ÛÛÛÜÜ ßÛÛÛßÛÛÛÛ°²ÛÛÛ°ÛÛÛÛ°ÛÛÛÛ ÛÛÛÛ° Û Û²ÛÛÛÛß ° °ÛÛÜÜ°ÛÛÛÛ ÛÛ ßßÜÛÛÛ ÛÛÛ °ÛßßÛÛ ÛÛÛÛ°ÛÛßß ÛÛÛÛ²ÛÛÛÛ°ÛÛÛÛ²ÛÜÛÛÛÛÛÛÛ°ÛÛÛÛ²ÛÛÛÛ ÛÛÛßÛÛÛÛßÜÛÛÛÛ ÛÛÛ ² °Û Û°ßßÜÜÜÜÜÜßÛÜÜßßßßÛÛß°ÛßÜÜÛÛÜÜÛÛ²ÛÛÛÜÛÛßÜßÜßÛÛÜÛß ÜßÛ Üß° ÛÛÛ ÛÛÛ°Û ÛÛÜ Ûßßßßß ßß ÜÜÛÛßßÜÜßÜÜßÜÛßÛÛßÜÜÜÜÜÜÜÜÜßÛÛÛßÜÜÜÜÜßÛÜßÜß ² ÛÛÛ ÛÛÛ ßÛÜÛ°ßÜÜÜÜÜßßßßßÜ ßßß ßß Ü° ÜÛßÜÜ°ß °ÜÜÜÜ ßß Ûß°ÛÛ ÜÛ ÛÛÛ ÛÛÛ ß ° ß ° Üß ßßßß Ü ßÛß °ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ NOTES ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ New Tantric for ya brought to you by the aPC crew. ÛÛÛ ÛÛÛ Here is a little information for ya. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ How do you follow a platinum-selling album that featured a ÛÛÛ ÛÛÛ #1 hit, a top 10 and a top 20 single, and rocketed all the ÛÛÛ ÛÛÛ way to #4 on Billboard’s Heatseekers chart? If you’re ÛÛÛ ÛÛÛ Tantric, you hunker down in a Nashville studio with producer ÛÛÛ ÛÛÛ Toby Wright (Korn, Alice In Chains) for a couple of months ÛÛÛ ÛÛÛ and emerge with a record that actually one-ups its hugely ÛÛÛ ÛÛÛ successful predecessor. The Louisville, Kentucky-based ÛÛÛ ÛÛÛ quartet have outdone themselves with the eagerly anticipated ÛÛÛ ÛÛÛ After We Go, an electrifying album built on swaggering ÛÛÛ ÛÛÛ riffs, stacked harmonies and hook-filled shimmering ÛÛÛ ÛÛÛ melodies. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ "You can’t go into the studio worrying about writing another ÛÛÛ ÛÛÛ hit or selling twice as many copies as the first album," ÛÛÛ ÛÛÛ says vocalist Hugo Ferreira. "All you can do is make music ÛÛÛ ÛÛÛ that moves you and hope that it affects others the same ÛÛÛ ÛÛÛ way." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ Ferreira and crew began penning the new album while ÛÛÛ ÛÛÛ globetrotting in support of their critically acclaimed ÛÛÛ ÛÛÛ self-titled debut. Emerging from the ashes of Days of the ÛÛÛ ÛÛÛ New, guitarist Todd Whitener, bassist Jesse Vest, and ÛÛÛ ÛÛÛ drummer Matt Taul re-grouped with Ferreira and quickly ÛÛÛ ÛÛÛ established themselves as a vital new voice in rock. They ÛÛÛ ÛÛÛ scored a smash hit single with "Breakdown" (which shot to #1 ÛÛÛ ÛÛÛ on Billboard’s Modern Rock Tracks chart), a Top 10 hit with ÛÛÛ ÛÛÛ "Astounded" and a Top 20 single in "Mourning." They ÛÛÛ ÛÛÛ maintained a high profile by touring with the likes of Creed ÛÛÛ ÛÛÛ and Kid Rock, and appeared on both The Tonight Show with Jay ÛÛÛ ÛÛÛ Leno and Late Night with Conan O’Brien. The band garnered ÛÛÛ ÛÛÛ MTV airplay with "Breakdown," which was also prominently ÛÛÛ ÛÛÛ featured in various commercials, two Warner Bros. films, ÛÛÛ ÛÛÛ Driven and Salton Sea, and television shows such as Buffy ÛÛÛ ÛÛÛ the Vampire Slayer and Witchblade. And as their hits ÛÛÛ ÛÛÛ blanketed rock radio, the band took to the road, sharing ÛÛÛ ÛÛÛ stages with everyone from Coldplay and Staind to Stone ÛÛÛ ÛÛÛ Temple Pilots, Kid Rock and 3 Doors Down. When all was said ÛÛÛ ÛÛÛ and done, Tantric had toured for over two years and sold ÛÛÛ ÛÛÛ close to a million albums. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ "We’re so grateful for all of it," says Whitener. "I’d like ÛÛÛ ÛÛÛ to say that I knew it would happen for us, but there were ÛÛÛ ÛÛÛ definitely times early on when I wondered where this would ÛÛÛ ÛÛÛ take us. I was afraid I’d have to go back to work at Arby’s ÛÛÛ ÛÛÛ to make ends meet," he laughs. "But we’ve really poured our ÛÛÛ ÛÛÛ hearts into this band and the music and thankfully ÛÛÛ ÛÛÛ everything’s worked out. I remember being handed my gold ÛÛÛ ÛÛÛ album and just hugging it all night long. I called my ÛÛÛ ÛÛÛ parents and just about every other person I know to tell ÛÛÛ ÛÛÛ them about it. To be honest, I think I even slept with the ÛÛÛ ÛÛÛ damn thing." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ When the tour ended, Tantric returned home, road-tightened, ÛÛÛ ÛÛÛ revitalized and eager to redefine its focus. Not only was ÛÛÛ ÛÛÛ the group looking forward to working on new material, they ÛÛÛ ÛÛÛ were anxious to reveal a depth beyond the scope of their ÛÛÛ ÛÛÛ debut record. "We were still discovering our sound when we ÛÛÛ ÛÛÛ made the first album," says Ferreira. "But two years on the ÛÛÛ ÛÛÛ road really helped us grow as musicians and tighter as a ÛÛÛ ÛÛÛ band. As a result, we went into the studio with a stronger ÛÛÛ ÛÛÛ sense of what we wanted to achieve this time around." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ To help them nail it, the band brought back Wright, who was ÛÛÛ ÛÛÛ behind the board for the first album. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ "When it came to choosing a producer, we knew we wanted to ÛÛÛ ÛÛÛ work with Toby again," says Whitener. "I’ve heard so many ÛÛÛ ÛÛÛ horror stories about bands fighting with their producers, ÛÛÛ ÛÛÛ but Toby really understands us and what we’re looking for ÛÛÛ ÛÛÛ and he did a amazing job on this album. He agreed to come to ÛÛÛ ÛÛÛ Ocean Way in Nashville, which was great because it allowed ÛÛÛ ÛÛÛ us to spend time with our families. If I was stressed from a ÛÛÛ ÛÛÛ day at the studio, I’d go home and get a hug and kiss from ÛÛÛ ÛÛÛ my daughter and the next day I was good to go." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ After We Go sees Ferreira and Whitener blending their voices ÛÛÛ ÛÛÛ to thrilling effect, floating breezy melodies over ÛÛÛ ÛÛÛ guitarscapes both raw and rapturous. Evoking the emotional ÛÛÛ ÛÛÛ life beneath the melodies, their swirling harmonies give the ÛÛÛ ÛÛÛ album an intoxicating warmth and flow. Anchoring this ÛÛÛ ÛÛÛ sprawling sound is the rhythm section of bassist Jesse Vest ÛÛÛ ÛÛÛ and drummer Matt Taul, whose grooving backbeats alternate ÛÛÛ ÛÛÛ between kick-out-the-jams-heavy and ÛÛÛ ÛÛÛ laid-back-in-the-pocket-smooth. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ Though the album showcases the band’s strength as ÛÛÛ ÛÛÛ songwriters, special attention should be called to their ÛÛÛ ÛÛÛ stunning rendition of Fleetwood Mac’s "The Chain." "We were ÛÛÛ ÛÛÛ tossing around the idea of a cover, but couldn’t agree on a ÛÛÛ ÛÛÛ song," says Ferreira. "After going back and forth a few ÛÛÛ ÛÛÛ times, I turned on a classic rock station and suggested we ÛÛÛ ÛÛÛ cover the first song we hear," he laughs. "’The Chain’ came ÛÛÛ ÛÛÛ on and we all looked at each other and were like, ‘Wow, that ÛÛÛ ÛÛÛ could be really good.’ Then we flipped around the dial and ÛÛÛ ÛÛÛ heard two more Fleetwood Mac songs. We took it as an omen." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ Hypnotic and languorous, each song on the album has its own ÛÛÛ ÛÛÛ atmospheric sound and vibe, with the Ferreira offering ÛÛÛ ÛÛÛ belated apologies to an estranged lover ("Hero"), ÛÛÛ ÛÛÛ questioning the karmic boomerang ("After We Go"), raging ÛÛÛ ÛÛÛ against spinning wheels ("Hey Now") and searching for self ÛÛÛ ÛÛÛ ("Chasing After"). ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ "Conversations that I had with fans played a big part in the ÛÛÛ ÛÛÛ way we approached the album’s lyrical content," says ÛÛÛ ÛÛÛ Whitener. "Over the course of the past two years, I’ve ÛÛÛ ÛÛÛ received fan e-mails and had people talk to me at shows ÛÛÛ ÛÛÛ about the tough times they’ve experienced—some even ÛÛÛ ÛÛÛ contemplating suicide. They told me that our songs helped ÛÛÛ ÛÛÛ them get through it. I can definitely relate because music ÛÛÛ ÛÛÛ has that same kind of healing effect on me, but it’s amazing ÛÛÛ ÛÛÛ to think that our songs can touch someone like that. Hearing ÛÛÛ ÛÛÛ those stories really made me think about the opportunity ÛÛÛ ÛÛÛ we’ve been given. I think there are a lot of artists out ÛÛÛ ÛÛÛ there that take advantage of the situation and that’s ÛÛÛ ÛÛÛ irresponsible. We’re more interested in giving people ÛÛÛ ÛÛÛ something positive to grab onto." ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ "We’ve been lucky, but there are a lot of ups and downs you ÛÛÛ ÛÛÛ experience as a new band," says Ferreria. "Sometimes it can ÛÛÛ ÛÛÛ be really frustrating, but that’s part of the game. Then ÛÛÛ ÛÛÛ someone tells you that your song got them through a painful ÛÛÛ ÛÛÛ time and that makes everything worth it. Those are the kind ÛÛÛ ÛÛÛ of experiences that made us work even harder on this album. ÛÛÛ ÛÛÛ Awards and things like that are great, but nothing beats the ÛÛÛ ÛÛÛ feeling of making that human connection. We want to feel ÛÛÛ ÛÛÛ that again." Hi Mom, Hey Noah! ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ TRACKLIST ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ 01. Chasing After 03:31 ÛÛÛ ÛÛÛ 02. After We Go 04:21 ÛÛÛ ÛÛÛ 03. Falling Away 04:23 ÛÛÛ ÛÛÛ 04. Hey Now 03:29 ÛÛÛ ÛÛÛ 05. Hero 04:25 ÛÛÛ ÛÛÛ 06. The Chain 04:21 ÛÛÛ ÛÛÛ 07. Change The World 03:27 ÛÛÛ ÛÛÛ 08. Just Once 04:57 ÛÛÛ ÛÛÛ 09. Relentless 03:12 ÛÛÛ ÛÛÛ 10. Alright 04:22 ÛÛÛ ÛÛÛ 11. Before 04:27 ÛÛÛ ÛÛÛ 12. Awake 03:32 ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ STATEMENT ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ Support the artists, buy the original audio cd. This release ÛÛÛ ÛÛÛ is strictly for reviewing purposes only. aPC does not condone ÛÛÛ ÛÛÛ the use of peer 2 peer networks for file-trading. If these ÛÛÛ ÛÛÛ files continue to reach peer 2 peer networks, aPC will take ÛÛÛ ÛÛÛ action and if need be will stop distributing releases. Peer ÛÛÛ ÛÛÛ to peer file-trading is irreparably damaging to the record ÛÛÛ ÛÛÛ industry. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ Releases which become widely distributed can be replicated ÛÛÛ ÛÛÛ on a massive scale and may fund terrorism. This must be ÛÛÛ ÛÛÛ prevented. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ BUY THE ORIGINALS. NEVER SELL COPIES. DO NOT DISTRO ON P2P. ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ° ÛÛÛ ÛÛÛ ° ßßÜ ° Üßß ° ÛÛÛ ÛÛÛ °Û Û° ÛÛÛ ÛÛÛ °Ü ÜÛÛßßÜÜÜÜÜßÜ° ° ° ßÜÜÜÜßßÛÛÜ ° ÛÛÛ ÛÛÛ ² ÛßÜÛÛÜÜßÜ ßßÜßÜÛÜ° ÜßßÜÜ ÜÜÛÛÜßßÜ°ÜÜßßÜÛßÜÛ ÜÜ ÜßßÛßÛ° ß ° ÛÛÛ ÛÛÛ Û Û ÜßÛÛÜßßÛßßßÜÛÜÛÜÛÛÜßßÜÛÛÜßÛßÜßßÜÛÛÜÜßßßßßÜÛÜÜÛßßÛßÛÛßßÜ ² ÛÛÛ ÛÛÛ Û ÛÜÛßÛÛÜÛÛßÛÛÛÜ°ßßÜÜÜÜÛÛÜ° ÜÛ ß²ÛÜÜ ßÜÜÛßÛÛÛÜßÜßÜÛßÛÛÜßÛßÛÛ Û ÛÛÛ ÛÛÛ Û ÜÛÜÛ²ÛÛÛ² ÛÛÛÛ ²ÛÛÛ ²ÛÛÛ ÛÛÛ °ÛÛÛ°ÛÛÛÛ ÛÛÛÛÛ ÛÛÛ ÛÛÛÛÛÜÛÛ Û ÛÛÛ ÛÛÛ²ßÜÜßÛÛ°ÛÛÛÛ°ÛÛÛÛ°ÛÛÛÛ ° ° °ÛÛÛ ° ÛÛÛ ÛÛÛÛ ° °ßÛÛÜÜÜ ²ÛÛ Û Û ÛÛÛ ÛÛÛÜÜ ßÛÛÛßÛÛÛÛ°²ÛÛÛ°ÛÛÛÛß ° ÛÛÛ Ü°ÛÛÛ²ÛÛÛÛß ° °ÛÛÜÜ°ÛÛÛÛ ÛÛ ßßÜÛÛÛ ÛÛÛ °ÛßßÛÛ ÛÛÛÛ°ÛÛßß ÛÛÛÛ²ÛÛÛÛ°²ÛÛܲÛÛÛ ÛÜÛÛÛ°ÛÛÛÛ²ÛÛÛÛ ÛÛÛßÛÛÛÛßÜÛÛÛÛ ÛÛÛ ² °Û Û°ßßÜÜÜÜÜÜßÛÜÜßßßßÛÛßÜÜÜßßßßßÜÛÜßÛÛÛÜÛÛßÜßÜßÛÛÜÛß ÜßÛ Üß° ÛÛÛ ÛÛÛ°Û ÛÛÜ Ûßßßßß ßß ÜÜÛÛßßÜÜßÜÜßÛÛßÛÛßÜÛÛÜÜÜÜÛÛßÛÛÛßÜÜÜÜÜßÛÜßÜß ² ÛÛÛ ÛÛÛ ßÛÜÛ°ßÜÜÜÜÜßßßßßÜ ßßß ßß Ü° ÜÛßÜÜ°ß °ÜÜÜÜ ßß Ûß°ÛÛ ÜÛ ÛÛÛ ÛÛÛ ß ° ß ° Üß ßßßß Ü ßÛß °ÛÛÛ ÛÛÛ ß ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ ÛÛÛ WE ARE CLOSED ÛÛÛ °ÛÛ² ÛÛ ÛÛÛ° . ÜßÛ ß ßÜÛßÜ ÜßÛß ßßÛÛÜ ° °ÜßÛß ° ßÜ°ßÜÜÜÜ Ü . ° ÜÜÜÜßßÛß ßßßÜÜßÛÛßÜÜÜÜÜÜ ÜÜÜ ÜÜ ÜܲÜÜÜÜßßÜÜÜÜÜÜÜÜÜßÛßßÜßÜÜßß . ßßß²ÜÜßßßÜÜßßÜßßܲÛÛÜÜßßßßÜßÜÜßß°ßß Ü° ° ° °°ßßß.°ßß ßß ßßßß ß ßßßß °. °ß²ß ascii by caciq^acl #ascii. updated 01.2004