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ÛÛ° ° Ü²Ü ß ÜÜÜÜÜÜ °Ü°²ÛÛ .:'" "':. ÛÛ²°Ü° ÜÜÜÜÜÜ ß ÜÛÛÛÛÛÛÛÛÛÛÜÜ ÜÛÛÛ° :, TRACK LIST :' °ÛÛÛÜ ÜÜÛÛÛÛÛÛÛÛÛÛÜ ÛÛß² ÜÜÛ²ßÛÛÛÛÛÛÛÛÛÛÛ²ÜÛÛÜ" "ÜÛÛܲÛÛÛÛÛÛÛÛÛÛÛß²ÛÜÜ ²ßÛÛ Þ² °°ÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÛÛÛßßÛÛÜ ÜÛÛßßÛÛÛÛÛÛÛÛÛÛ²ß ÛÛÛÛÛÛ°° ²Ý ÞÝ °Û² °²ÛÛÝ°°ßß²ÛÛß²ÛÛ° ßßß ßßß °ÛÛ²ßÛÛ²ßß°°ÞÛÛ²° ²Û° ÞÝ ß °Û² °ÞÛ² ° ²° Ü ÞÛÛÜÛß List of the Tracks ßÛÜÛÛÝ Ü °² ° ²ÛÝ° ²Û° ß Ü ßÛß ÞÛ° ° ßßß ßßß ° °ÛÝ ßÛß Ü ÜÛ° ______________________________________ °ÛÜ ßß ° ° ßß [#] [Track Name] [time] CD1 01. Last Train To Memphis 03:01 02. The Legend of Jolie Blonde 05:56 03. I Spent All My Money Loving You 04:45 04. String Of Hearts 03:39 05. I Wonder 05:31 06. Everyday 02:03 07. Don't Make A Fool Of Yourself 04:00 08. Homesick Blues 03:27 09. Forever And Always 06:08 10. The Sky Isn't Blue Anymore 02:57 11. Full Moon On The Bayou 03:16 12. What Are We Doing 03:08 13. Sing 03:58 14. Goin' Fishin' 03:11 15. See You Later Alligator 03:49 CD2 01. I Can't Quit You 03:45 02. Secrets 03:28 03. Angel Eyes 03:18 04. But I Do 04:24 05. Party Town 03:56 06. I Don't Want To Know 04:56 07. Love In The Worst Degree 03:24 08. Why Are People Like That 03:11 09. I Believe In Angels 06:19 10. Les Champs Élysee 03:42 11. Not Ready Yet 03:07 12. The Jealous Kind 04:11 13. I Want To Be The One 03:59 14. Walking To New Orleans 03:12 15. I Remember When 03:04 16. Ambushin' Bastard 03:08 17. I Don't See Me 05:48 18. Wish You Were Here Right Now 02:26 19. Clean Water 03:12 ------- 131:19 min 181,9 MB ______________________________________ ßÜ Üß ²Û Ü ÜÛÛÜ ÜÛÛÜ Ü Û² ²ÛÜ ÞÝ°ÛÛÝ ° Ü ÜÜ ÜÜ Ü ° ÞÛÛ°ÞÝ ÜÛ² Ü²Ü ßÛÛÜ ° ß°²ÛÛ° ßÛÜ ÜÛß °ÛÛ²°ß ° ÜÛÛß Ü²Ü ß ÜÛÛÛÜÛÛÛÛÜÜ°°°ÜÛÛÛ°° ß °ÛÛ :" ": ÛÛ° °°ÛÛÛÜ°°°ÜÜÛÛÛÛÜÛÛÛÜ ß ÜÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÛÛÛÜÛÛÛÜ °²ÛÛÝ NOTES ÞÛÛ²° ÜÛÛÛÜÛÛÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÜ ÜÜÛÛÛßß°°²ÛÛÝ ²ßÛÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÛÛ² ÞÛÛ²°°ßßÛÛÛÜÜ ßßßÛÛܲ°°° °ÛÛÝ ² °°ßßß²Û²°°°ßÛÛÛß° ßÛÛÛß°°°²Û²ßßß°° ² ÞÛÛ° °°°²ÜÛÛßßß °Û²ßÛÝ°Ü ÜÛÛ °²ÛÛ° Special °ÛÛ²° ÛÛÜ Ü°ÞÛß²Û °ÞÛ° ÞÝ ß²Ûß° ° ° °ÛÛÜ° ÜÝ Release Notes. ÞÜ °ÜÛÛ° ° ° ßÛ²ß ÞÝ °ÛÝ ÛÜ ß ° ßÛÛÛß ßÛÛÛß ° ß ÜÛ ßß ß ° ° ß ßß Props to JUST for doing the Digipak... got the same one here but apparently our friends missed the 19-track bonus cd. Enjoy... And here's what the AMG has to say: Not quite a new album and not quite a compilation, Bobby Charles' 2004 release Last Train to Memphis is closer to a clearing-house for little-heard recordings than a proper album. Billed as a single-disc release paired with a bonus disc, the two-CD set contains a total of 34 songs, and since there is no distinct difference between the two discs, it only seems appropriate to treat it all as a sprawling double album. Jim Bateman says in his perfunctory, largely biographical liner notes that this album "fills in the years between his critically acclaimed 1972 Bearsville release and today," which is certainly true, since all 34 songs on the two discs were recorded sometime between 1971 and 2001. The liners do detail the individual recording dates and lineups for the tracks, but it's hard to tell when and where -- or even if -- these songs came out prior to this release. This is particularly true because not only does the sequencing make no chronological sense -- the first disc hopscotches from 1999 to 1979 back to 1975 then leaps ahead to 1997 before going back to 1984 -- but because Charles' music is so consistent in both tone and quality it's hard to tell when these recordings are from, based on the production or performance. Of course, there's a certain charm to that. Very few artists could have such a patchwork assembled and make it sound cohesive, which this certainly does. This all flows from his brilliant eponymous 1972 album for Bearsville, which blended his signature spin on New Orleans R&B with an Americana bent borrowed from his friends in the Band. Overall, it's a little slicker and smoother than the loose-limbed, rustic Bobby Charles -- plus, its sprawling nature means it's not nearly the compulsive listen as that underappreciated gem -- but it's consistently satisfying, filled with satisfyingly modest new Charles originals and friendly, engaging reworkings of warhorses like "See You Later Alligator." So, even if Last Train to Memphis is frustrating when closely inspected, if it's taken as just a collection of 34 fine Bobby Charles recordings, it's very pleasurable, and not in the least because there are so few Charles recordings that it only seems right to savor every one. SCREW THE INDUSTRY!!!! SUPPORT THE *ARTISTS*!!!! -End- Ý ÛÜ EGO HAS ESTABLISHED ITSELF STRONGLY OVER THE YEARS AND AFTER ÛÛÜÜ A PERIOD OF TIME OF REFLECTION WE NOW KNOW WE HAVE NOTHING ÛÛÛÛÛÜÜ TO PROVE TO THE SCENE. JUST ENJOY OUR RELEASES AND ßßÛÛÛÛÛÛÜÜ ßÛÜ IF YOU LIKE THE RELEASE THEN PLEASE GO OUT AND BUY Ü ßÛÛ²ÛÛÛÛ ÞÛÝ IT! WE ARE NOT HERE TO LINE THE POCKETS OF THE Û ÜÛ²±±Û²ÛÛ ÜÛÛÝ Ü BOOTLEGGERS. ÛÛÛ²²²±±±²ÛÛÛÛÛ ÞÛ ÛÛÛÛÛÛ²²±°±±²ÛÛÝ Ü ÛÛ WE WOULD LIKE TO GREET ALL THE GROUPS OUT ÞÛß ßÛ²±±°±±±²Û ÞÛÛÛ THERE THAT ARE CONTRIBUTING TO THE SCENE Û ÛÛ²±°Û°±±ÛÛÜÛ²ÛÛ IN A MATURE AND FRIENDLY WAY. 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