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ÛÛ° ° Ü²Ü ß ÜÜÜÜÜÜ °Ü°²ÛÛ .:'" "':. ÛÛ²°Ü° ÜÜÜÜÜÜ ß ÜÛÛÛÛÛÛÛÛÛÛÜÜ ÜÛÛÛ° :, TRACK LIST :' °ÛÛÛÜ ÜÜÛÛÛÛÛÛÛÛÛÛÜ ÛÛß² ÜÜÛ²ßÛÛÛÛÛÛÛÛÛÛÛ²ÜÛÛÜ" "ÜÛÛܲÛÛÛÛÛÛÛÛÛÛÛß²ÛÜÜ ²ßÛÛ Þ² °°ÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÛÛÛßßÛÛÜ ÜÛÛßßÛÛÛÛÛÛÛÛÛÛ²ß ÛÛÛÛÛÛ°° ²Ý ÞÝ °Û² °²ÛÛÝ°°ßß²ÛÛß²ÛÛ° ßßß ßßß °ÛÛ²ßÛÛ²ßß°°ÞÛÛ²° ²Û° ÞÝ ß °Û² °ÞÛ² ° ²° Ü ÞÛÛÜÛß List of the Tracks ßÛÜÛÛÝ Ü °² ° ²ÛÝ° ²Û° ß Ü ßÛß ÞÛ° ° ßßß ßßß ° °ÛÝ ßÛß Ü ÜÛ° ______________________________________ °ÛÜ ßß ° ° ßß [#] [Track Name] [time] 01. Tomorrow's Yesterday 03:19 02. Under the Bridge 03:24 03. July Sun 04:23 04. Roll it Down 03:01 05. Oxford Town 04:31 06. Walk with Me 02:52 07. Tiptoe Spider 03:31 08. Slow Matin 03:01 09. Who's Talkin' to Me 03:24 10. Stand Real Still 03:34 11. You Know What I Mean 03:21 12. I Been A Train 02:37 ------- 40:58 min 53,7 MB ______________________________________ ßÜ Üß ²Û Ü ÜÛÛÜ ÜÛÛÜ Ü Û² ²ÛÜ ÞÝ°ÛÛÝ ° Ü ÜÜ ÜÜ Ü ° ÞÛÛ°ÞÝ ÜÛ² Ü²Ü ßÛÛÜ ° ß°²ÛÛ° ßÛÜ ÜÛß °ÛÛ²°ß ° ÜÛÛß Ü²Ü ß ÜÛÛÛÜÛÛÛÛÜÜ°°°ÜÛÛÛ°° ß °ÛÛ :" ": ÛÛ° °°ÛÛÛÜ°°°ÜÜÛÛÛÛÜÛÛÛÜ ß ÜÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÛÛÛÜÛÛÛÜ °²ÛÛÝ NOTES ÞÛÛ²° ÜÛÛÛÜÛÛÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÜ ÜÜÛÛÛßß°°²ÛÛÝ ²ßÛÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛÛÛ² ÞÛÛ²°°ßßÛÛÛÜÜ ßßßÛÛܲ°°° °ÛÛÝ ² °°ßßß²Û²°°°ßÛÛÛß° ßÛÛÛß°°°²Û²ßßß°° ² ÞÛÛ° °°°²ÜÛÛßßß °Û²ßÛÝ°Ü ÜÛÛ °²ÛÛ° Special °ÛÛ²° ÛÛÜ Ü°ÞÛß²Û °ÞÛ° ÞÝ ß²Ûß° ° ° °ÛÛÜ° ÜÝ Release Notes. ÞÜ °ÜÛÛ° ° ° ßÛ²ß ÞÝ °ÛÝ ÛÜ ß ° ßÛÛÛß ßÛÛÛß ° ß ÜÛ ßß ß ° ° ß ßß Roll It Down begins with a funky, roots rock-based "Tomorrow's Yesterday,", a song that immediately brings to mind the super-group Little Village featuring John Hiatt. The bass line is also more prominent here. "Under The Bridge" is another slow blues-oriented song that could draw comparisons to Robert Cray without the great blues guitar solo but with a credible backing keyboard. The relaxing nature of most of Ray Bonneville's work is ever-present through the baker's dozen of offerings, especially the bounce emanating from "July Sun." "You might know the way to go/If you ask a passing crow," he sings as Colin Linden helps out on mandolin. Most of the time the arrangements work but the title of the album gets the tracks off on the wrong foot, and they can't quite right themselves. The shining moment comes during "Oxford Town," a heartfelt duet with Jonell Mosser on harmony vocals, bringing to mind a possible duet between Daniel Lanois and Emmylou Harris. Another very good effort comes from "Walk With Me," a toe-tapping melody straight from Waylon Jennings with some fine guitar picking. Carrying the momentum during "Tiptoe Spider," this track showcases Bonneville at his best: vocal and guitar with minimal backbeat. Near the homestretch of the album, though, it appears that he is repeating himself ever so slightly. "Who's Talkin' To Me" sounds adequate, but the arrangement appears to have been done before. A Dylan-like attempt on "Stand Real Still" results in a creeping blues song that should be found on Time Out Of Mind. Finishing up with "I Been A Train," Bonneville has created another solid album blending blues, folk and a few things in between. SCREW THE INDUSTRY!!!! SUPPORT THE *ARTISTS*!!!! -End- Ý ÛÜ EGO HAS ESTABLISHED ITSELF STRONGLY OVER THE YEARS AND AFTER ÛÛÜÜ A PERIOD OF TIME OF REFLECTION WE NOW KNOW WE HAVE NOTHING ÛÛÛÛÛÜÜ TO PROVE TO THE SCENE. JUST ENJOY OUR RELEASES AND ßßÛÛÛÛÛÛÜÜ ßÛÜ IF YOU LIKE THE RELEASE THEN PLEASE GO OUT AND BUY Ü ßÛÛ²ÛÛÛÛ ÞÛÝ IT! WE ARE NOT HERE TO LINE THE POCKETS OF THE Û ÜÛ²±±Û²ÛÛ ÜÛÛÝ Ü BOOTLEGGERS. ÛÛÛ²²²±±±²ÛÛÛÛÛ ÞÛ ÛÛÛÛÛÛ²²±°±±²ÛÛÝ Ü ÛÛ WE WOULD LIKE TO GREET ALL THE GROUPS OUT ÞÛß ßÛ²±±°±±±²Û ÞÛÛÛ THERE THAT ARE CONTRIBUTING TO THE SCENE Û ÛÛ²±°Û°±±ÛÛÜÛ²ÛÛ IN A MATURE AND FRIENDLY WAY. 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