Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Aerosmith ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Honkin' On Bobo ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Columbia ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: Team RNS ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 234kbps avg - Blues Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 0hr 43min total- 76.9mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2004-03-30 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2004-03-18 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 Road Runner 3:44 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Shame, Shame, Shame 2:14 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 Eyesight To The Blind 3:09 ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 04 Baby, Please Don't Go 3:23 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 05 Never Loved A Girl 3:12 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 06 Back Back Train 4:23 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 07 You Gotta Move 5:30 ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 08 The Grind 3:46 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 09 I'm Ready 4:13 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 10 Temperature 2:50 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 Stop Messin' Around 4:29 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý 12 Jesus Is On The Main Line 2:48 Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Aerosmith was one of the most popular Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß hard rock bands of the '70s, setting the ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß style and sound of hard rock and heavy ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ metal for the next two decades with ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² their raunchy, bluesy swagger. The ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Boston-based quintet found the middle ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ground between the menace of the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Rolling Stones and the campy, sleazy ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ flamboyance of the New York Dolls, ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² developing a lean, dirty riff-oriented ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý boogie that was loose and swinging and Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß as hard as a diamond. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß In the meantime, they developed a ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ prototype for power ballads with "Dream ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² On," a piano ballad that was ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ orchestrated with strings and ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² distorted guitars. Aerosmith's ability ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß to pull off both ballads and rock & roll ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ made them extremely popular during the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² mid-'70s, when they had a string of gold ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý and platinum albums. By the early '80s, Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the group's audience had declined as the ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß band fell prey to drug and alcohol abuse. ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ However, their career was far from over ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² in the late '80s, Aerosmith pulled off ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ one of the most remarkable comebacks ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² in rock history, returning to the top ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß of the charts with a group of albums ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ that equalled, if not surpassed, the ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² popularity of their '70s albums. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß In 1970, the first incarnation of ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Aerosmith formed when vocalist Steven ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Tyler met guitarist Joe Perry while ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² working at a Sunapee, NH, ice-cream ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ parlor. Tyler, who originally was a ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² drummer, and Perry decided to form a ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß power trio with bassist Tom Hamilton. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ The group soon expanded to a quartet, ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² adding a second guitarist called Ray ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Tabano; he was quickly replaced by Brad Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Whitford, a former member of Earth Inc. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß With the addition of drummer Joey Kramer, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Tyler became the full-time lead singer ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² by the end of year. Aerosmith relocated ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ to Boston at the end of 1970. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß After playing clubs in the Massachusetts ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ and New York areas for two years, the ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² group landed a record contract with ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Columbia Records in 1972. Aerosmith's Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß self-titled debut album was released in ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß the fall of 1973, climbing to number 166. ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "Dream On" was released as the first ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² single and it was a minor hit, reaching ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ number 59. For the next year, the band ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² built a fan base by touring America, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß supporting groups as diverse as the ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Kinks, Mahavishnu Orchestra, Sha Na Na, ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² and Mott the Hoople. The performance of ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Get Your Wings (1974), the group's Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß second album and the first produced by ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Jack Douglas, benefited from their ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ constant touring, spending a total of 86 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² weeks on the chart. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Aerosmith's third record, 1975's Toys ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß in the Attic, was their breakthrough ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ album both commercially and artistically. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² By the time it was recorded, the band's ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý sound had developed into a sleek, Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß hard-driving hard rock powered by ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß simple, almost brutal, blues-based riffs. ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Many critics at the time labeled the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² group as punk rockers, and it's easy to ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ see why instead of adhering to the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² world-music pretentions of Led Zeppelin ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß or the prolonged gloomy mysticism of ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Black Sabbath, Aerosmith stripped heavy ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² metal to its basic core, spitting out ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý spare riffs that not only rocked, but Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß rolled. Steven Tyler's lyrics were ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß filled with double entendres and clever ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ jokes and the entire band had a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² streetwise charisma that separated them ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ from the heavy, lumbering arena ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² rockers of the era. Toys in the Attic ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß captured the essence of the newly ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ invigorated Aerosmith. "Sweet Emotion," ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² the first single from Toys in the Attic, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý broke into the Top 40 in the summer of Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß 1975, with the album reaching number 11 ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß shortly afterward. Its success prompted ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the re-release of the power \ballad ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² "Dream On," which shot into the Top Ten ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ in early 1976. Both Aerosmith and Get ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Your Wings climbed back up the charts ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß in the wake of Toys in the Attic. "Walk ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ This Way," the final single from Toys in ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² the Attic, was released around the time ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý of the group's new 1976 album, Rocks. Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Although it didn't feature a Top Ten hit ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß like "Walk This Way," Rocks went platinum ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ quickly, peaking at number three. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ In early 1977, Aerosmith took a break ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² and prepared material for their fifth ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß album. Released late in 1977, Draw the ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Line was another hit, climbing to number ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 on the U.S. charts, but it showed ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý signs of exhaustion. In addition to Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß another tour in 1978, the band appeared ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß in the movie Sgt. Pepper's Lonely Hearts ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Club Band, performing "Come Together," ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² which eventually became a number 23 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ hit. Live! Bootleg appeared late in ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 1978 and became another success, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß reaching number 13. Aerosmith recorded ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Night in the Ruts in 1979, releasing the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² record at the end of the year. By the ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý time of its release, Joe Perry had left Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the band to form the Joe Perry Project. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Night in the Ruts performed respectably, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ climbing to number 14 and going gold, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² yet it was the least successful ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Aerosmith record to date. Brad ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Whitford left the group in early 1980, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß forming the Whitsford-St. Holmes Band ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ with former Ted Nugent guitarist Derek ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² St. Holmes. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß As Aerosmith regrouped with new ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß guitarists Jimmy Crespo and Rick Dufay, ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the band released Aerosmith's Greatest ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Hits in late 1980; the record would ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ eventually sell over six million ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² copies. The new lineup of Aerosmith ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß released Rock in a Hard Place in 1982. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Peaking at number 32, it failed to match ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² the performance of Night in the Ruts. ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Perry and Whitford returned to the band Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß in 1984 and the group began a reunion ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß tour dubbed Back in the Saddle. Early in ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ the tour, Tyler collapsed on stage, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² offering proof that the band hadn't ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ conquered their notorious drug and ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² alcohol addictions. The following year, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Aerosmith released Done with Mirrors, ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ the original lineup's first record since ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 1979 and their first for Geffen Records. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Although it didn't perform as well as Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Rock in a Hard Place, the album showed ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß that the band was revitalized. ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² After the release of Done with Mirrors, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Tyler and Perry completed ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² rehabilitation programs. In 1986, the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß pair appeared on Run D.M.C.'s cover of ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ "Walk This Way," along with appearing in ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² the video. "Walk This Way" became a hit, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý reaching number four and receiving Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß saturation airplay on MTV. "Walk This ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Way" set the stage for the band's ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ full-scale comeback effort, the Bruce ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Fairburn-produced Permanent Vacation ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ (1987). Tyler and Perry collaborated ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² with professional hard rock songwriters ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß like Holly Knight and Desmond Child, ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ resulting in the hits "Dude (Looks Like a ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Lady)," "Rag Doll" and "Angel." ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Permanent Vacation peaked at number 11 Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and sold over three million copies. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Pump, released in 1989, continued the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² band's winning streak, reaching number ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ five, selling over four million ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² copies, and spawning the Top Ten ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß singles "Love in an Elevator," "Janie's ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Got a Gun," and "What It Takes." ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Aerosmith released Get a Grip in 1993. ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Like Permanent Vacation and Pump, Get a Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Grip was produced by Bruce Fairburn and ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß featured significant contributions by ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ professional songwriters. The album was ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² as successful as the band's previous ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ two records, featuring the hit singles ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² "Livin' on the Edge," "Cryin'," and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß "Amazing." In 1994, Aerosmith released ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Big Ones, a compilation of hits from ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² their Geffen years which fulfilled their ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý contract with the label; it went double Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß platinum shortly after its release. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ While Aerosmith was at the height of its ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² revitalized popularity in the early ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ '90s, the group signed a lucrative ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² multi-million dollar contract with ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Columbia Records, even though they still ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ owed Geffen two albums. It wasn't until ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 1995 that the band was able to begin ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý working on their first record under the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß new contract nearly five years after ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß the contract was signed. The making of ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Aerosmith albums usually had been ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² difficult affairs, but the recording of ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Nine Lives was plagued with bad luck. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² The band went through a number of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß producers and songwriters before ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ settling on Kevin Shirley in 1996. More ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² damaging, however, was the dismissal of ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý the band's manager Tim Collins, who had Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß been responsible for bringing the band ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß from the brink of addiction. Upon his ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ firing, Collins insinuated that Steven ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Tyler was using hard drugs again, an ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ allegation that Aerosmith adamantly ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² denied. Under such circumstances, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß recording became quite difficult, and ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ when Nine Lives finally appeared in the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² spring of 1997, it was greeted with ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý great anticipation, yet the initial Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß reviews were mixed and even though album ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß debuted at number one, it quickly fell ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ down the charts. The live A Little South ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² of Sanity followed in 1998. Three years ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ later, Aerosmith strutted their stuff ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² on the halftime special on CBS with the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß likes of Mary J. Blige, Nelly, *N Sync, ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ and Britney Spears, just prior to issuing ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² their heart stomping Just Push Play in ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý March 2001. Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß yea, new aerosmith, blues style! ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Enjoy ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß ÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ ÜÛÛÛÛÛÛÛÛßß²²²ÜÜÜÛÛÛÛÛ²ÛÛßßßßÛÛÜ ÜÜÛÛßßßßÛÛ²ÛÛÛÛÛÜÜܲ²²ßßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜÛÛÝ ßßßßßÛÛÛÜ ßÛÛÛÛß ÜÛÛÛßßßßß ÞÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÛÛÛßß ßßÛÛÛ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÞÛÛÛÛÛÛ ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß ßßÛÛÛÜÜÜ ÜÜÜÛ²ßß ßß²ÛÜÜÜ ÜÜÜÛÛÛßß ÛÛÛÝ ÞÛÝ ÜÜÛß Û ßÛÜÜ ÞÛÝ ÞÛÛÛ ßÛÛÜ ÜÛß ÜÜÜÛÛßß ÛÛÛ ßßÛÛÜÜÜ ßÛÜ ÜÛÛß ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß ßßßß ÞÛÛÛÛÛÛ ßßßß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜÛÛÛÝ ÞÛÛÛÛÛÝÞÛÛÛ ÛÛÛÛÛÛÜÛÛÛÛÝ ÛÛÛÛÛÝÞÛÛÛÛÛ ÛÛÛÛÛݲÛÛÛÛÛ ßÛ²ßÜÜÜÜÜ ÛÛÛÛÛ°ÛÛÛÛÛÛ ß²²ÛÛÛÛÛÛÛÛÜÜ Þ²ÛÛÛ°ÛÛÛÛÛÛ ÜÜÜÜÜß²Ûß ßÛÛÛÛÛÛÛßßÛÛÛÜÜ ²ÛÛÛÛÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛ²²ß ßÛÛÛÛÛÛÛÛÜÛßßÛÛÜÜ ßÛÛÛÝÞÛÛÛ²Ý ÜÜÛÛÛßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÜ ²ÛÛÝÞÛÛ²² ÜÜÛÛßßÛÜÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜÜßßÛÜ ²ÛÛ Û²²Ý ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛ ²² ²²ÜÛÛßÜÜÛÛÛÛÛÛÛÛÛÛß ßßÛÛÛÛÛÛÛÛÛÜÛÝÞ²Û²ÝÛ²²ÛÛÛÛÛÛÛÛÛÛß ÜÜÜÜÜÜÜÜÜÜÜÜ ßßÛÛÛÛÛÜ ÛÛ²²ÛÜÛÛÛÛÛÛÛÛÛßß ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜܲ²ß²ÜÛÛÛÛÜÛÛÛÛÛßß ÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛßßÜÜÜÜßßßßßßß²²²ÛÛÛÛÛÛÛÛÛ²²²Ü²ß²²ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜ ßÛÛÛ²²²ÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜßÛßÛÜÜÛÛßÛß²²²ßßßßßßßßÜÜÜÜÜÜÜÜßßßÛßÛÛÛÛÛÛÜÜ ßßß²²²ÛÛÛÛÛÛÛ²²²²ÛÛÛÛÛÛÛßßß ÜÜßÜÛÛÛÛÛÛÜßÛÜÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßß ßßßßßßßßßß ÜÜÛÛßÛÛÛßßÛÛÛßÛÜßÛÛÛÛÜÜ ßßßßßßßß ÜÛÛÛÛÛÛÛÛ ÛÛÛ ÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÛÛß ÛÛÝ ßÛÛÛÛÛÛÛÛÜ ÛÛÛÛßßß ÞÛÛÝ ßßßÛÛÛÛ ÞÛÛÛ ÛÛ² ÞÛ²Ý ß²ÛÜ ßß