Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Envoy ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Shoulder 2 Shoulder ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Soma/EMI ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: <..:*$u|LeN b0y*:..> ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 209kbps avg - Electronic Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 1hr 13min total-115.2mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2004-05-31 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2004-04-16 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 4 Absent Friends 6:30 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Red Mist 7:51 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 Move On (Full Strings Mix) 6:41 ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 04 Into The Arena 5:09 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 05 Shoulder 2 Shoulder 7:44 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 06 Intervals 5:34 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 07 U Can Go 7:33 ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 08 Night Moves 7:24 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 09 Stargazer 5:32 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 10 Is Time... 7:43 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 Full Time 5:26 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Who exactly is Envoy? Is he the modern Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß day techno soul man, the singer who ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß pours out his heart on tracks like ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Emotional? Or is he the king of strings, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the musical genius who makes club ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ symphonies like Dark Manoeuvres? ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Perhaps hes a sexy, Chicago house ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß legend with a penchant for carnal ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ classics like Sex Drive or a robotic ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² machine funker with little regard for ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý humanity? Maybe Envoy is really the fly Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß in pop musics ointment, the vocalist who ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß looks to shatter the manufactured boy band ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ stranglehold with his soulful, spiritual ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² intonations on the soon to be huge Move ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ On? ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß The reality though, is that Envoy, real ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ name Hope Grant, is all of these things ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² and much more, an enigmatic electronic ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý music character, as complex and Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß unpredictable as his multi-faceted work. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß His new album Shoulder 2 Shoulder is ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ released on Soma Records May 2004. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Fabric, London, 21st Feb 2004. Its a ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² full house and the atmosphere in the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß venue is bristling with anticipation as ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Envoy prepares to take to the stage. If ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² you could bottle and sell the mood in ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý the crammed venue, youd never need to Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß work again. This is Envoys first live ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß performance in two years ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ since he was the lead vocalist on a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² year-long world tour to promote Slams ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Alien Radio album, but now hes ready ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² to take the UK capital in style. As the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß intro to Into the Arena seeps through ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ the speakers, a familiar voice from the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² back of the venue introduces himself. ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Even before the initial Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß applause has subsided, Envoy is centre ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß stage, working the crowd into a second ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ wave of frenzied acclaim. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Stamping the mike stand in time to the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² beats and flicking his dreadlock mane ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß up and down and from side to side, Envoy ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ is radically different to his ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² softly-spoken off stage persona. Hes the ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý front man, a role hes visibly Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß comfortable with. Hands outstretched and ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß with a mile wide toothy grin, like a ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ techno evangelist, he points to the sky ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² and urges the sweaty throng to come ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ into the light and let yourselves go. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß At other times during the performance, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ his voice is moody and ominous, like a ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² deranged preacher announcing the coming ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý of the apocalypse. Centre stage Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß throughout, Envoy also uses his vocal ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß talent to deep effect and, on other ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ occasions, his singing is sleazier, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² twisted and darker, a different sound ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ to the utopian feel of classic Envoy ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² material like Emotional. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Envoys live shows, as well as his ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² imminent second album Shoulder 2 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Shoulder, will serve to confuse anyone Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß who had Hope Grant as just a producer ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß who merely tried to spice up his tracks ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ with the odd vocal. He has been signed ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² to Scottish label Soma since 1995 and, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ unsurprisingly, originally comes from ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² a singer-songwriter background. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ When I was young, I was hugely into ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Prince and wanted to write songs. Im ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý still just as comfortable playing Elton Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß John songs on my piano at home, he ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß laughs. I used to hate acid house because ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ it didnt have a chorus, but then I ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² started going to clubs and buying tunes ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ and it began to make sense, he ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² recalls. I had an affinity with Detroit ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß techno - although I didnt know what it ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ was called at the time - and put song ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² writing on hold. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß However, before he began creating his ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß own techno symphonies, bizarrely, Envoy ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ enjoyed a stint in rave combo Bizarre ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Inc who now work as Chicken Lips. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² They wanted to turn into a jazz-funk ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß band and wanted me as the singer, he ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ explains. But I was only in the band for ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² six months. The major label wanted them ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý to churn out loads more versions of Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Playing With Knives and werent ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß interested in them progressing. The ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ experience left me with a sour taste in ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² my mouth towards major labels and drove ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ me towards independent labels. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß When Hope started releasing dance music, ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ his first outlets were respected ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² underground imprints Peacefrog and Plink ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Plonk - where he released as St Vitus Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Dance and Urban Groove Alliance ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß respectively. Then, in 1995, Hope met Slam ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ and his first demos became his debut EPs ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² for the label, Solitary Mission and ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Heart Of The Soul. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Envoys name became a byword for soulful ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ techno, but Hope says that when Carl Cox ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² used the dramatic string groove of Dark ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Manoeuvres from the Coalition EP for Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß his FACT mix CD, things started to take ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß off. Hope also believes that being signed ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ to Soma made his ascent a smoother ride. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² But when Soma released their Soma 50 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ compilation, Hope felt it was time for ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² a change. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ It was a real turning point, I could ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² sense a shift in the label, he explains. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý It seemed like the standard went up. Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Once I heard that album, I knew that I ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß needed to do something to set me apart. I ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ thought there were people who did ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² instrumental stuff better, so I decided ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ to start singing. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß He may hail from a musical background, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ but Hope says that he never received any ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² formal training for his soaring vocals. ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Hopes high pitched vocal on Emotional, Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the taster single for his 1998 debut ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß album, Wheres There Life, was ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ characterised by a soulful tinge. But it ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² was his sleazy, nocturnal narrative on ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Sex Drive also taken from his debut ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² long player and released as a single in ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 2002 that cast him as a darker, figure. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Set to a dirty Chicago house backing, it ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² hinted at the multitude of possibilities ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Hope is set to unleash on his second Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß long player. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ I started doing that style live and ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² thats how it all started. Its my sleazy ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ side and went unnoticed on the album. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² It was something new for me and also ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß something I want to do more of, as much ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ as the melodic stuff he maintains. ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý However, the main musical theme on Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Envoys debut album was still the lush ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß and emotive techno soul that he hinted at ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ on his initial EPs. Its a style that ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Hope believes still sounds fresh. I ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ will always be into that Detroit ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² sound. Whenever I think that its dead ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß or dated, along comes a new great record ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ in that vein that blows me away, he says. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý However, before Envoy could plan his Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß second album, he embarked on a ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß promotional tour for his debut that turned ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ into an eighteen month global trek and ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² then joined Slam on their year-long ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ tour to promote Alien Radio. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß In between touring continuously for ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ nearly three years, Envoy managed to ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² record his second long player, due for ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý release in May 2004. Shoulder 2 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Shoulder is a more diverse work than its ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß predecessor and casts Envoy as an ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ enigmatic, unpredictable character. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Compare and contrast the lush, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ string-led Detroit techno of Is This ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² with the dark drums of Into The Arena ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß and the driving bass of U Can Go, where ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ an eerie sounding Envoy spurns a lover. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Like an android, Hopes detached tones ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý open up a more sinister side to his Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß complex personality. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ However, it would be inaccurate to ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² consign Envoy to the realms of technoid ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ androgyny. Theres a hip-grinding feel ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² to the sexy tech of the 303-flecked Red ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Mist, the mid-tempo Intervals oozes ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ futuristic seduction - and Envoys ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² resuscitation of the Ricksters classic ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý acid house number, Night Moves, takes Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß it back to the old skool for a version ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß that bristles with ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ unbridled passion. Title track Shoulder ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 2 Shoulder is one the true album ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ highlights, an outstanding example of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² stirring vocals combined with hi-tech ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß funk which also features live sax. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Its not all just corporeal thrills ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý though: new tracks like Stargazer Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß rekindle Hopes love of lush techno and ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß sensuous vocals, with Grant pointing to ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the cosmos for fulfilment for the soul. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² The theme of spirituality appears ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ elsewhere on the album, especially on ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² the emotive musicality of Move On, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß where Envoy plays popstar in waiting. If ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Hope is destined to enjoy mainstream ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² success, then it will be with a track ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý like this. Co-produced with Soma Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß label-mate Ewan Pearson its mellow and ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß deep yet catchy enough to crossover, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Grants soft, sexy vocals will woo even ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the most cynical listener. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Its the best thing I have ever done and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß is a real departure from what Ive made ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ before, he says. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý The strings on this production have Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß been supplied by a twenty-nine piece ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß orchestra and the arrangement is by ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ classical/film composer Craig Armstrong. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Craig who won a Golden Globe in 2002 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ for his score of Moulin Rouge has ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² added a magical, melancholic slant to ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß this extraordinary song. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Irrespective of the fickle whims of the ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý commercial market and the music Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß industry, Shoulder 2 Shoulder is one of ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß the finest electronic works of recent ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ years. It sees the enigma that is Envoy ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² lay bare his soul and that makes for a ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ masterpiece of epic proportions. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß ÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ ÜÛÛÛÛÛÛÛÛßß²²²ÜÜÜÛÛÛÛÛ²ÛÛßßßßÛÛÜ ÜÜÛÛßßßßÛÛ²ÛÛÛÛÛÜÜܲ²²ßßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜÛÛÝ ßßßßßÛÛÛÜ ßÛÛÛÛß ÜÛÛÛßßßßß ÞÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÛÛÛßß ßßÛÛÛ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÞÛÛÛÛÛÛ ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß ßßÛÛÛÜÜÜ ÜÜÜÛ²ßß ßß²ÛÜÜÜ ÜÜÜÛÛÛßß ÛÛÛÝ ÞÛÝ ÜÜÛß Û ßÛÜÜ ÞÛÝ ÞÛÛÛ ßÛÛÜ ÜÛß ÜÜÜÛÛßß ÛÛÛ ßßÛÛÜÜÜ ßÛÜ ÜÛÛß ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß ßßßß ÞÛÛÛÛÛÛ ßßßß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜÛÛÛÝ ÞÛÛÛÛÛÝÞÛÛÛ ÛÛÛÛÛÛÜÛÛÛÛÝ ÛÛÛÛÛÝÞÛÛÛÛÛ ÛÛÛÛÛݲÛÛÛÛÛ ßÛ²ßÜÜÜÜÜ ÛÛÛÛÛ°ÛÛÛÛÛÛ ß²²ÛÛÛÛÛÛÛÛÜÜ Þ²ÛÛÛ°ÛÛÛÛÛÛ ÜÜÜÜÜß²Ûß ßÛÛÛÛÛÛÛßßÛÛÛÜÜ ²ÛÛÛÛÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛ²²ß ßÛÛÛÛÛÛÛÛÜÛßßÛÛÜÜ ßÛÛÛÝÞÛÛÛ²Ý ÜÜÛÛÛßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÜ ²ÛÛÝÞÛÛ²² ÜÜÛÛßßÛÜÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜÜßßÛÜ ²ÛÛ Û²²Ý ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛ ²² ²²ÜÛÛßÜÜÛÛÛÛÛÛÛÛÛÛß ßßÛÛÛÛÛÛÛÛÛÜÛÝÞ²Û²ÝÛ²²ÛÛÛÛÛÛÛÛÛÛß ÜÜÜÜÜÜÜÜÜÜÜÜ ßßÛÛÛÛÛÜ ÛÛ²²ÛÜÛÛÛÛÛÛÛÛÛßß ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜܲ²ß²ÜÛÛÛÛÜÛÛÛÛÛßß ÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛßßÜÜÜÜßßßßßßß²²²ÛÛÛÛÛÛÛÛÛ²²²Ü²ß²²ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜ ßÛÛÛ²²²ÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜßÛßÛÜÜÛÛßÛß²²²ßßßßßßßßÜÜÜÜÜÜÜÜßßßÛßÛÛÛÛÛÛÜÜ ßßß²²²ÛÛÛÛÛÛÛ²²²²ÛÛÛÛÛÛÛßßß ÜÜßÜÛÛÛÛÛÛÜßÛÜÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßß ßßßßßßßßßß ÜÜÛÛßÛÛÛßßÛÛÛßÛÜßÛÛÛÛÜÜ ßßßßßßßß ÜÛÛÛÛÛÛÛÛ ÛÛÛ ÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÛÛß ÛÛÝ ßÛÛÛÛÛÛÛÛÜ ÛÛÛÛßßß ÞÛÛÝ ßßßÛÛÛÛ ÞÛÛÛ ÛÛ² ÞÛ²Ý ß²ÛÜ ßß