Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Helmet ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Size Matters ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Interscope Records ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: Team RNS ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 245kbps avg - Hard Rock Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 0hr 39min total- 73.0mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2004-09-14 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2004-07-13 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 Smart 3:44 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Crashing Foreign Cars 2:31 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 See You Dead 3:47 ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 04 Drug Lord 3:24 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 05 Enemies 5:00 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 06 Unwound 4:12 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 07 Everybody Loves You 3:26 ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 08 Surgery 3:14 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 09 Speak And Spell 3:31 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 10 Throwing Punches 3:44 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 Last Breath 3:02 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Page Hamilton (vocals, guitar) Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Chris Traynor (guitar) ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß John Tempesta (drums) ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Frank Bello (bass) ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Two years ago, PAGE HAMILTON singer, ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² guitarist and founder of the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß proto-metal outfit HELMET, was driving ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ around Los Angeles with the radio on. The ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² jock on duty had just debuted the hotly ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý anticipated new track from some n-metal Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß millionaires. Immediately after the ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß airing, the DJ opened the phones for ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ comments from the listenership. There ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² was some expected best-thing-ever ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ fawning, but what caught HAMILTON's ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² attention was the first dissenting ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß listener. The caller said the track was ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ garbage and should be forgotten as soon ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² as possible. The DJ attempted to bait ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý the caller by daring him to tell the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß radio audience what he was listening to. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß The caller replied that he was playing ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ HELMET in his car and explained how he ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² hadn't heard any rock music that good ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ anymore. Not surprisingly, the DJ did ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² not fight the caller on it. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ "I thought I was going to hit a telephone ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² pole," says Hamilton about hearing the ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý exchange. "Seriously, it was just a Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß shock to be acknowledged in that ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß context. It made me feel confident about ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ my past, as well as my future." ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ That future is right now. On September ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 14, Interscope will release SIZE ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß MATTERS, the first collection of new ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ HELMET music in seven years. The album's ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² title refers to, according to PAGE, "An ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý obsession in {American} culture with Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß higher, louder, bigger and faster. There ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß are no rewards {or regard} for integrity ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ and progressive thought anymore." ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² HAMILTON has reactivated the HELMET ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ name with a lineup including guitarist ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² CHRIS TRAYNOR (Orange 9mm, Bush, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Helmet), drummer JOHN TEMPESTA (Rob ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Zombie, Testament), and bassist FRANK ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² BELLO (Anthrax). Recorded earlier this ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý year and produced by HAMILTON with Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß assistance from producer Jay Baumgardner ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß and former Nine Inch Nails associate ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Charlie Clouser, SIZE MATTERS isn't ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² necessarily a return to form. Rather, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ it's an expansion of the vocabulary ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² that HAMILTON has built his reputation ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß upon (minimalist crushing riffs, taut ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ rhythmic propulsion, clusterbomb solos ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² and seething lyrical invective) ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý coexisting with a greater melodic Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß sense. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ "In the past few years, I've been ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² fortunate enough to be able to sit in ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ the company of people like Bono, David ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Bowie and [film composer] Elliot ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Goldenthal and I soaked up a lot of ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ideas from those people," says HAMILTON, ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² illuminating the path that got him to ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý make SIZE MATTERS. "It gave me the Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß confidence in my own writing. You listen ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß to those early HELMET records and you'll ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ hear that 'anti-songwriter' vibe I had ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² going around back then. I was using my ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ voice as a rhythmic instrument, with ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² less regard for the meaning of the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß words. Now I appreciate clarity." ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Over the course of nine years and four ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý coruscating albums, HELMET was the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß vehicle for HAMILTON's reductionist rock ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß aesthetic, a vision that bridged the gaps ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ between underground-rock geeks, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² cosmopolitan art-snobs and populist ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ headbangers looking for a new fix. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Their 1991 Amphetamine Reptile debut ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Strap It On helped define a brusque ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ element of America's underground-rock ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² scene, while its follow-up for ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Interscope, 1992's Meantime sold over a Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß million copies and helped lay waste to ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß America's vacuous hair-farming metal ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ scene. The band released two more ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² albums, Betty (1994) and Aftertaste ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ (1996), prior to breaking up in 1998. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Interscope/Universal Chronicles issued ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Unsung: The Best Of Helmet 1991-1997, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ earlier this year, a collection whose ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² parts still sound as fierce as they did ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý on their respective release dates. Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß HAMILTON had remained busy since HELMET's ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ dissolution six years ago. He went to ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² New Orleans to write songs with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ programmer Charlie Clouser down at ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Trent Reznor's studio. He did many ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß sessions for film scores (S.W.A.T, The ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Good Thief, In Dreams, Titus) and worked ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² on a rock-guitar opera ("Transposed ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Heads"). In addition, HAMILTON recorded Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß with a diverse array of artists ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß including California electronica merchants ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Uberzone, mutant trumpeter Ben Neill, as ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² well as a four-month stint touring with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ David Bowie behind his "hours" album. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß In 2002, HAMILTON formed Gandhi, with a ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ bunch of friends from NYC. The outfit ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² played a few shows, but frequently ended ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý up at the bar after rehearsals. While Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß all this was happening, America was in ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß the throes of n-metal mania, a genre that ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ owes much of its existence to the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² musical language HAMILTON had developed ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ in HELMET. In the liner notes to ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Unsung, Tom Hazelmyer, founder of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Amphetamine Reptile, the label that ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ foisted the band onto the world, nailed ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² it when he said, "I think those bands ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý need to fess up where they stole the Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß sound from. You don't blame the guy who ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß let E=mc2 out of the bag." ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Having grown weary of traveling between ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Los Angeles and NYC to play with ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Gandhi, HAMILTON put the brakes on the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß unit, and concentrated on writing songs. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Around Christmas of 2002, Reach 454 ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² singer Rene Mata introduced HAMILTON to ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý drummer JOHN TEMPESTA. TEMPESTA's Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß career began with him woodshedding in ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Bay Area metal band Testament, before ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ being picked up to man the engine room ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² in White Zombie, as well as leader Rob ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Zombie's solo career. When Zombie said ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² he was taking a break from recording to ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß concentrate on film, TEMPESTA relished ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ the idea of jamming with HAMILTON on some ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² of the guitarist's new songs. HAMILTON ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý was still in contact with CHRIS Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß TRAYNOR, who played guitar on HELMET's ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Aftertaste tour, and asked him if he ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ wanted to join. TRAYNOR, who for years ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² had been suggesting HAMILTON reconvene ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ HELMET, jumped on board, without ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² question. HAMILTON was happy with the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß noise the three of them made in the ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ studio, and started writing more songs. A ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² demo of "Throwing Punches," made it into ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý the hands of former NIN bassist, Danny Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Lohner, who was the music supervisor for ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß the film Underworld. The track was ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ credited to HAMILTON, and appeared on ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the film's soundtrack last year. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Earlier this year, Interscope label ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß chairman Jimmy Iovine called HAMILTON. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ He wanted to speak with him about two ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² things. He first asked if PAGE would ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý like to produce acts for his label. Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß (HAMILTON's first job, the solo album ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß from Bush singer Gavin Rossdale, is slated ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ for release later this year). And then, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Iovine told PAGE he would like for him ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ to return to Interscope and make ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² HELMET records. "After all these years, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß I was offered the opportunity to have ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ the band name I started with," says ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² HAMILTON. "That's kind of hard to pass ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý up!" Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß SIZE MATTERS is a powerful return to the ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ kind of fury that raged under the HELMET ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² banner. Recorded as a trio with TRAYNOR ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ on bass, the disc features all the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² punishing riff economy HAMILTON has ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß built his reputation on, but instead of ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ delivering "Meantime In 2K4," HAMILTON ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² has added more melodic parts for TRAYNOR ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý and TEMPESTA to drive. HELMET 2K4 has Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß all the vision and the energy level ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß needed to stand out in these dangerous ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ times. The disc's 11 cuts offer a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² plethora of sonic invention and ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ punishing riffage. There's the vicious ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² big-dumb-sex of "Smart"; the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß bone-snapping pit bull disguised as a ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ C-(maj7) chord that's anchoring "See You ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Dead"; the menacing chromatic scales on ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý "Throwing Punches"; and the closing Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß "Last Breath," which delivers a ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß decidedly "old-school" HELMET vibe. SIZE ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ MATTERS is a rare thing: a record made ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² by veterans who haven't mellowed with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ age, but have no reason to erect a ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² monument to their past. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ "I look back at those old albums with ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² wonderment" says HAMILTON, "like how we ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý ever played 'Vaccination' without a Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß click track, or why the snare drum ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß sounds on 'Betty' are so high-tuned. The ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ more you make records, the further you ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² want to go from your previous work. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ SIZE MATTERS is merely an extension of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² it all." ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Former Anthrax bassist FRANK BELLO signed ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² on to fill the bass slot so TRAYNOR ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý could return to his guitar duties when Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß HELMET tours in support of SIZE MATTERS ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß later this fall. HAMILTON is joyous about ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ how the new disc turned out, and swears ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² by the work TRAYNOR and TEMPESTA put ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ into it. He is also well aware that ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² some people will bristle about the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß absence of Henry Bogdan and drummer John ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Stanier. (Bogdan lives in Hawaii and has ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² left heavy music behind, while Stanier ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý does time in two bands, Battles and Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Tomahawk.) ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "They were great musicians," says ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² HAMILTON. "I knew back in 1997 that we ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ needed a year off. We were getting on ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² each other's nerves, but I wasn't ready ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß to quit. People can hear those old ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ records and there's a certain kind of ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² nostalgia attached to them. But really, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý it's all about the vocabulary of the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß music," he continues. "I think if you ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß found someone who had never heard HELMET ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ and played them a track from Aftertaste ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² and the new album, back to back, they ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ would think it was the same band." ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Like every person who bemoans the state ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ of today's rock culture, HAMILTON didn't ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² sit at home and bitch about it on an ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Internet bulletin board: he went out Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and redressed the balance. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "I still like rock music," he says. "I ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² love to plug in and have the volume ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ surround me. But there's not a lot of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² rock out there that's inspiring. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß There's still hope: I got turned on to ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ the Dillinger Escape Plan, because as ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² soon as you hear them, you can tell they ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý give a fuck. They play with passion and Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß not some vague notion of being ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß rockstars. Part of the job of being a ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ musician is to have respect for the past ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² and help bring things along now, and do ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ something special. Whatever's trendy ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² or whatever the kids are buying, I ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß won't be doing." ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² And if you're that guy who called the ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý radio station all those years ago, or Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß if you found no reason to go to a record ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß store for the past eight years, come in ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ from the cold, and try the new HELMET ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² on. For Size. And the head rush. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß ÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ ÜÛÛÛÛÛÛÛÛßß²²²ÜÜÜÛÛÛÛÛ²ÛÛßßßßÛÛÜ ÜÜÛÛßßßßÛÛ²ÛÛÛÛÛÜÜܲ²²ßßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜÛÛÝ ßßßßßÛÛÛÜ ßÛÛÛÛß ÜÛÛÛßßßßß ÞÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÛÛÛßß ßßÛÛÛ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÞÛÛÛÛÛÛ ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß ßßÛÛÛÜÜÜ ÜÜÜÛ²ßß ßß²ÛÜÜÜ ÜÜÜÛÛÛßß ÛÛÛÝ ÞÛÝ ÜÜÛß Û ßÛÜÜ ÞÛÝ ÞÛÛÛ ßÛÛÜ ÜÛß ÜÜÜÛÛßß ÛÛÛ ßßÛÛÜÜÜ ßÛÜ ÜÛÛß ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß ßßßß ÞÛÛÛÛÛÛ ßßßß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜÛÛÛÝ ÞÛÛÛÛÛÝÞÛÛÛ ÛÛÛÛÛÛÜÛÛÛÛÝ ÛÛÛÛÛÝÞÛÛÛÛÛ ÛÛÛÛÛݲÛÛÛÛÛ ßÛ²ßÜÜÜÜÜ ÛÛÛÛÛ°ÛÛÛÛÛÛ ß²²ÛÛÛÛÛÛÛÛÜÜ Þ²ÛÛÛ°ÛÛÛÛÛÛ ÜÜÜÜÜß²Ûß ßÛÛÛÛÛÛÛßßÛÛÛÜÜ ²ÛÛÛÛÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛ²²ß ßÛÛÛÛÛÛÛÛÜÛßßÛÛÜÜ ßÛÛÛÝÞÛÛÛ²Ý ÜÜÛÛÛßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÜ ²ÛÛÝÞÛÛ²² ÜÜÛÛßßÛÜÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜÜßßÛÜ ²ÛÛ Û²²Ý ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛ ²² ²²ÜÛÛßÜÜÛÛÛÛÛÛÛÛÛÛß ßßÛÛÛÛÛÛÛÛÛÜÛÝÞ²Û²ÝÛ²²ÛÛÛÛÛÛÛÛÛÛß ÜÜÜÜÜÜÜÜÜÜÜÜ ßßÛÛÛÛÛÜ ÛÛ²²ÛÜÛÛÛÛÛÛÛÛÛßß ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜܲ²ß²ÜÛÛÛÛÜÛÛÛÛÛßß ÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛßßÜÜÜÜßßßßßßß²²²ÛÛÛÛÛÛÛÛÛ²²²Ü²ß²²ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜ ßÛÛÛ²²²ÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜßÛßÛÜÜÛÛßÛß²²²ßßßßßßßßÜÜÜÜÜÜÜÜßßßÛßÛÛÛÛÛÛÜÜ ßßß²²²ÛÛÛÛÛÛÛ²²²²ÛÛÛÛÛÛÛßßß ÜÜßÜÛÛÛÛÛÛÜßÛÜÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßß ßßßßßßßßßß ÜÜÛÛßÛÛÛßßÛÛÛßÛÜßÛÛÛÛÜÜ ßßßßßßßß ÜÛÛÛÛÛÛÛÛ ÛÛÛ ÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÛÛß ÛÛÝ ßÛÛÛÛÛÛÛÛÜ ÛÛÛÛßßß ÞÛÛÝ ßßßÛÛÛÛ ÞÛÛÛ ÛÛ² ÞÛ²Ý ß²ÛÜ ßß