Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Iron Maiden ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Dance Of Death ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: EMI ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: Team RNS ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 192kbps - Metal Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 1hr 07min total- 98.0mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2003-09-08 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2003-09-02 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 Wildest Dreams 3:52 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Rainmaker 3:48 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 No More Lies 7:21 ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 04 Montsegur 5:50 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 05 Dance Of Death 8:36 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 06 Gates Of Tomorrow 5:12 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 07 New Frontier 5:04 ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 08 Paschendale 8:28 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 09 Face In The Sand 6:31 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 10 Age Of Innocence 6:10 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 Journeyman 7:07 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Formed in London, England, in 1976, Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Iron Maiden was from the start the ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß brainchild of Steve Harris (b. 12 March ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 1957, Leytonstone, London, England; ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² bass), formerly a member of pub rockers ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Smiler. Named after a medieval torture ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² device, the music was suitably heavy ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß and hard on the senses. The heavy metal ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ scene of the late 70s was widely regarded ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² as stagnant, with only a handful of ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý bands proving their ability to survive Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and produce music of quality. It was at ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß this time that a new breed of young ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ British bands began to emerge. This ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² movement, which began to break cover in ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 1979 and 1980, was known as the New ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Wave Of British Heavy Metal, or NWOBHM. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Iron Maiden was one of the foremost ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ bands in the genre, and many would say ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² its definitive example. Younger and ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý meaner, the NWOBHM bands dealt in Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß faster, more energetic heavy metal than ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß any of their forefathers (punk being an ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ obvious influence). ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² There were several line-up changes in ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ the Iron Maiden ranks in the very ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² early days, and come the release of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß their debut EP, the band featured ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Harris, Dave Murray (b. 23 December 1958, ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² London, England; guitar), Paul Di'Anno ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý (b. 17 May 1959, Chingford, London, Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß England; vocals) and Doug Sampson ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß (drums). The band made its live debut at ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the Cart & Horses Pub in Stratford, east ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² London, in 1977, before honing its ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ sound on the local pub circuit over ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² the ensuing two years. Unable to ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß solicit a response from record ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ companies, the band sent a three-track ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² tape, featuring "Iron Maiden", "Prowler" ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý and "Strange World", to Neal Kay, DJ at Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß north London's hard rock disco, the ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Kingsbury Bandwagon Soundhouse. Kay's ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ patronage of Iron Maiden won them an ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² instant welcome, which prompted the ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ release of The Soundhouse Tapes on the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² band's own label. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ In November 1979, the band added second ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² guitarist Tony Parsons to the line-up ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý for two tracks on the Metal For Muthas Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß compilation, but by the time the band ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß embarked on sessions for their debut ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ album, he had been replaced by Dennis ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Stratton (b. 9 November 1954, London, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ England), and Sampson by Clive Burr ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² (b. 8 March 1957; drums, ex-Samson). A ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß promotional single, "Running Free", ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ reached number 34 on the UK charts and ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² brought an appearance on BBC ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Television's Top Of The Pops. Refusing Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß to mime, they became the first band ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß since the Who in 1973 to play live on the ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ show. Iron Maiden was a roughly produced ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² album, but reached number 4 in the UK ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ album listings on the back of touring ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² stints with Judas Priest and enduringly ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß popular material such as "Phantom Of The ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Opera". Killers boasted production ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² superior to that of the first album, and ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý saw Dennis Stratton replaced by Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß guitarist Adrian Smith (b. 27 February ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß 1957). In its wake, Iron Maiden became ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ immensely popular among heavy metal ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² fans, inspiring fanatical devotion, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ aided by blustering manager Rod ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Smallwood and apocalyptic mascot Eddie ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß (the latter had been depicted on the ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ cover of "Sanctuary" standing over Prime ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Minister Margaret Thatcher's decapitated ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý body). Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß The release of Number Of The Beast was ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ crucial to the development of the band. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Without it, Iron Maiden might never ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ have gone on to be such a force in the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² heavy metal arena. The album was a ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß spectacular success, the sound of a band ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ on the crest of a wave. It was also the ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² debut of former infantryman and new ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý vocalist Bruce Dickinson (b. Paul Bruce Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Dickinson, 7 August 1958, Worksop, ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Nottinghamshire, England), replacing Paul ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Di'Anno (who went on to front Dianno, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Paul Di'Anno's Battlezone and Killers). ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Formerly of Samson, history graduate ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Dickinson made his live debut with Iron ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Maiden on 15 November 1981. Singles such ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ as "Run To The Hills" and "The Number Of ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² The Beast" were big UK chart hits, Iron ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Maiden leaving behind their NWOBHM Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß counterparts in terms of success, just ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß as the movement itself was beginning to ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ peter out. Piece Of Mind continued their ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² success and was a major hit in the UK ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ (number 3) and USA (number 14). Clive ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Burr was replaced by Nicko McBrain (b. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 5 June 1954) on the sessions, formerly ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ drummer with French metal band Trust, who ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² had supported Iron Maiden on their 1981 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý UK tour (he had also played in Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Streetwalkers). Piece Of Mind was not ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß dissimilar to the previous album, ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ showcasing the strong twin-guitar bite ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² of Murray and Smith, coupled with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ memorable vocal lines and a sound that ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² perfectly suited their air-punching ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß dynamic. Single offerings, "Flight Of ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Icarus" and "The Trooper", were instant ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² hits, as the band undertook two massive ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý tours, the four-month World Piece jaunt Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß in 1983, and a World Slavery retinue, ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß which included four sell-out dates at ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ London's Hammersmith Odeon a year later. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² With the arrival of Powerslave in ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ November, some critics accused Iron ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Maiden of conforming to a self-imposed ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß writing formula, and playing safe with ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ tried and tested ideas. Certainly, there ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² was no significant departure from the ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý two previous albums, but it was Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß nonetheless happily consumed by the ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß band's core supporters, who also purchased ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ in sufficient quantities to ensure UK ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² chart hits for "Aces High" and "Two ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Minutes To Midnight". Live After Death ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² was a double-album package of all their ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß best-loved material, recorded live on ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ their gargantuan 11-month world tour. By ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² this time, Iron Maiden had secured ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý themselves an unassailable position Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß within the metal hierarchy, their vast ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß popularity spanning all continents. ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Somewhere In Time was a slight ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ departure: it featured more melody ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² than previously, and heralded the use ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß of guitar synthesizers. Their ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ songwriting still shone through and the ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² now obligatory hit singles were easily ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý attained in the shape of "Wasted Years" Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and "Stranger In A Strange Land". ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Reaching number 11 in the USA, this was ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ another million-plus seller. Since the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² mid-80s Iron Maiden had been staging ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ increasingly spectacular live shows, ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² with elaborate lighting effects and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß stage sets. The Somewhere In Time tour ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ (seven months) was no exception, ensuring ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² their continued fame as a live band, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý which had been the basis for much of Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß their success. A period of comparative ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß inactivity preceded the release of Seventh ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Son Of A Seventh Son, which was very ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² much in the same vein as its ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ predecessor. A concept album, it ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² retained its commercial edge (giving ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß the band their second UK number 1 album) ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ and yielded hit singles in "Can I Play ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² With Madness", the surprisingly ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý sensitive "The Evil That Men Do" and Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß "The Clairvoyant". After another ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß exhausting mammoth world trek, the band ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ announced their intention to take a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² well-earned break of at least a year. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Speculation abounded that this ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² signalled the dissolution of the band, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß exacerbated by Dickinson's solo project, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Tattooed Millionaire, his book, The ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Adventures Of Lord Iffy Boatrace, and ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý EMI Records' policy of re-releasing Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Iron Maiden's single catalogue in its ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß entirety (on 12-inch). ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² After a considerable hiatus, news of ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ the band surfaced again. Steve Harris ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² felt that the direction pursued on the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß last two albums had been taken as far as ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ possible, and a return to the style of ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² old was planned. Unhappy with this game ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý plan, Adrian Smith left to be replaced Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß by Janick Gers (b. Hartlepool, Teeside, ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß England), previously guitarist with White ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Spirit and Ian Gillan (he had also ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² contributed to Dickinson's solo ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ release). The live show was also ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² scaled down in a return to smaller ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß venues. No Prayer For The Dying was ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ indeed much more like mid-period Iron ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Maiden, and was predictably ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý well-received, bringing enormous UK hit Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß singles with "Holy Smoke" and "Bring ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Your Daughter To The Slaughter". The ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ latter, previously released in 1989 on ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the soundtrack to A Nightmare On Elm ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Street 5, had already been awarded the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Golden Raspberry Award for Worst Song ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß that year. Nevertheless, it gave Iron ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Maiden their first ever UK number 1. The ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² obligatory world tour followed. Despite ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý being denounced as "Satanists" in Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Chile, 1992 also saw the band debut at ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß number 1 in the UK charts with Fear Of The ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Dark, which housed another major single ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² success in "Be Quick Or Be Dead" ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ (number 2). However, it was ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Dickinson's swansong with the band, who ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß invited demo tapes from new vocalists ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ following the lead singer's announcement ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² that he would depart following current ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý touring engagements. His eventual Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß replacement was Blaze Bayley (b. 1963, ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Birmingham, West Midlands, England) from ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Wolfsbane. His debut album was The ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² X-Factor, and on this and at live gigs ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ (which they only resumed in November ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 1995), he easily proved his worth. This ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß was a daunting task, having had to learn ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Iron Maiden's whole catalogue and win ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² over patriotic Dickinson followers. In ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý February 1999 it was announced that Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Dickinson and Smith (who had formed ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Psycho Motel in the interim) had rejoined ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the band, restoring the classic 80s ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² line-up. To the great delight of their ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ loyal fans, an excellent new studio ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² album, Brave New World, was not long in ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß following. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Dance Of Death, the hugely anticipated Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß new album by Iron Maiden, is released on ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 8th September 2003, preceded by the single ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Wildest Dreams on 1st September. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 2003 has already proved a massive year ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² for the band. Their recent DVD 'Visions ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Of The Beast' achieved Top 5 Chart ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ positions worldwide and the band have ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² just completed their most successful ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý European tour ever, headlining Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß virtually every rock festival around and ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß playing to 700,000 fans in just 26 shows ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ over the summer. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Hailed as a massive influence by ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² everyone from established acts such as ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Marilyn Manson to rising heroes Funeral ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ For A Friend, interest in the band is ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² exploding in all sections of the media. ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Not bad for an act who have already sold ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß over 50 million albums and had more than ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 30 hit singles. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ The next chapter of their remarkable ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² career has only just begun... ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß ÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ ÜÛÛÛÛÛÛÛÛßß²²²ÜÜÜÛÛÛÛÛ²ÛÛßßßßÛÛÜ ÜÜÛÛßßßßÛÛ²ÛÛÛÛÛÜÜܲ²²ßßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜÛÛÝ ßßßßßÛÛÛÜ ßÛÛÛÛß ÜÛÛÛßßßßß ÞÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÛÛÛßß ßßÛÛÛ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÞÛÛÛÛÛÛ ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß ßßÛÛÛÜÜÜ ÜÜÜÛ²ßß ßß²ÛÜÜÜ ÜÜÜÛÛÛßß ÛÛÛÝ ÞÛÝ ÜÜÛß Û ßÛÜÜ ÞÛÝ ÞÛÛÛ ßÛÛÜ ÜÛß ÜÜÜÛÛßß ÛÛÛ ßßÛÛÜÜÜ ßÛÜ ÜÛÛß ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß ßßßß ÞÛÛÛÛÛÛ ßßßß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜÛÛÛÝ ÞÛÛÛÛÛÝÞÛÛÛ ÛÛÛÛÛÛÜÛÛÛÛÝ ÛÛÛÛÛÝÞÛÛÛÛÛ ÛÛÛÛÛݲÛÛÛÛÛ ßÛ²ßÜÜÜÜÜ ÛÛÛÛÛ°ÛÛÛÛÛÛ ß²²ÛÛÛÛÛÛÛÛÜÜ Þ²ÛÛÛ°ÛÛÛÛÛÛ ÜÜÜÜÜß²Ûß ßÛÛÛÛÛÛÛßßÛÛÛÜÜ ²ÛÛÛÛÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛ²²ß ßÛÛÛÛÛÛÛÛÜÛßßÛÛÜÜ ßÛÛÛÝÞÛÛÛ²Ý ÜÜÛÛÛßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÜ ²ÛÛÝÞÛÛ²² ÜÜÛÛßßÛÜÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜÜßßÛÜ ²ÛÛ Û²²Ý ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛ ²² ²²ÜÛÛßÜÜÛÛÛÛÛÛÛÛÛÛß ßßÛÛÛÛÛÛÛÛÛÜÛÝÞ²Û²ÝÛ²²ÛÛÛÛÛÛÛÛÛÛß ÜÜÜÜÜÜÜÜÜÜÜÜ ßßÛÛÛÛÛÜ ÛÛ²²ÛÜÛÛÛÛÛÛÛÛÛßß ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜܲ²ß²ÜÛÛÛÛÜÛÛÛÛÛßß ÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛßßÜÜÜÜßßßßßßß²²²ÛÛÛÛÛÛÛÛÛ²²²Ü²ß²²ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜ ßÛÛÛ²²²ÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜßÛßÛÜÜÛÛßÛß²²²ßßßßßßßßÜÜÜÜÜÜÜÜßßßÛßÛÛÛÛÛÛÜÜ ßßß²²²ÛÛÛÛÛÛÛ²²²²ÛÛÛÛÛÛÛßßß ÜÜßÜÛÛÛÛÛÛÜßÛÜÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßß ßßßßßßßßßß ÜÜÛÛßÛÛÛßßÛÛÛßÛÜßÛÛÛÛÜÜ ßßßßßßßß ÜÛÛÛÛÛÛÛÛ ÛÛÛ ÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÛÛß ÛÛÝ ßÛÛÛÛÛÛÛÛÜ ÛÛÛÛßßß ÞÛÛÝ ßßßÛÛÛÛ ÞÛÛÛ ÛÛ² ÞÛ²Ý ß²ÛÜ ßß