Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Janet Jackson ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Because Of Love ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Arista ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: MadMat ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 128kbps - R&B Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 0hr 53min total- 51.8mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 1994-00-00 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2004-06-13 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 Because Of Love (LP Version) 6:09 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Because Of Love (Frankie & 5:51 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß David 7" Version) ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 03 Because Of Love (Frankie & 12:47 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ David Classic 12" Version) ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 04 Because Of Love (Frankie & 10:39 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ David Treat Mix) ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 05 Because Of Love (D&D Bentley 6:49 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Radio Mix) ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 06 Because Of Love (Muggs 7'' 5:04 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Version with Bass Intro) ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý 07 Because Of Love (D&D Slow 6:37 Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Version) ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Few celebrity siblings can emerge from Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the shadows of their already famous ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß relations to become superstars in their ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ own right and with their own distinct ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² personalities. That's exactly what ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Janet Jackson did in becoming one of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² the biggest female pop and R&B stars of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß the '80s and '90s. Since her ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ breakthrough in 1986 with the album ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Control, Jackson's career as a hitmaker ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý has been a model of consistency, Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß rivaling Madonna and Whitney Houston in ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß terms of pop-chart success over the long ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ haul. A big part of the reason was that ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Jackson kept her level of quality ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ control very high; her singles were ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² always expertly crafted, with indelible ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß pop hooks and state-of-the-art ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ production that kept up with contemporary ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² trends in urban R&B. Once established, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý her broad-based appeal never really Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß dipped all that much; she was able to ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß avoid significant career missteps, musical ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ and otherwise, and successfully shifted ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² her image from a strong, independent ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ young woman to a sexy, mature adult. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² With a string of multi-platinum albums ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß under her belt, she showed no signs of ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ slowing down in the new millennium. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Janet Damita Jo Jackson was born May 16, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý 1966, in Gary, IN. She was the youngest Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß of nine children in the Jackson family, ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß and her older brothers had already begun ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ performing together as the Jackson 5 by ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the time she was born. Bitten by the ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ performing bug at a young age, she ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² first appeared on-stage with the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Jackson 5 at age seven, and began a ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ sitcom acting career at the age of ten in ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 1977, when producer Norman Lear selected ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý her to join the cast of Good Times. She Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß remained there until 1979, and ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß subsequently appeared on Diff'rent Strokes ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ (1981-1982) and A New Kind of Family. In ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 1982, pushed by her father into trying ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ a singing career, Jackson released her ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² self-titled first album on A&M; a ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß couple of singles scraped the lower ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ reaches of the charts, but on the whole, ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² it made very little noise. She was cast ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý in the musical series Fame in 1983; the Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß following year, she issued her second ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß album, Dream Street, which sold even more ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ poorly than its predecessor. Upon ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² turning 18, Jackson rebelled against ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ her parents' close supervision, ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² eloping with a member of another ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß musical family, singer James DeBarge. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ However, the relationship quickly hit the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² rocks and Jackson wound up moving back ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý into her parents' home and having the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß marriage annulled. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Jackson took some time to rethink her ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² musical career and her father hired her ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ a new manager, John McClain, who ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² isolated his young charge to train her ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß as a dancer (and make her lose weight). ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ McClain hooked Jackson up with ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² producers/writers Jimmy Jam and Terry ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Lewis, whom she'd seen perform as Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß members of the Minneapolis funk outfit ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß the Time. Jackson collaborated with Jam ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ and Lewis on most of the tracks for her ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² next album, Control, which presented ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ her as a confident, tough-minded young ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² woman (with a soft side and a sense of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß humor) taking charge of her life for the ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ first time. In support of Jackson's new ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² persona, Jam and Lewis crafted a set of ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý polished, computerized backing tracks Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß with slamming beats that owed more to ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß hard, hip-hop-tinged funk and urban R&B ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ than Janet's older brother Michael's ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² music. Control became an out-of-the-box ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ hit, and eventually spun off six ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² singles, the first five of which "What ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Have You Done for Me Lately," the catch ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ phrase-inspiring "Nasty," the number one ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² "When I Think of You," the title track, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý and the ballad "Let's Wait Awhile" hit Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß the Top Five on the pop charts. Jackson ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß was hailed as a role model for young women ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ and Control eventually sold over five ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² million copies, establishing Jackson as ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ not just a star, but her own woman. It ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² also made Jam and Lewis a monstrously ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß in-demand production team. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² For the hotly anticipated follow-up, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý John McClain wanted to push Jackson Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß toward more overtly sexual territory, to ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß which she objected strenuously. Instead, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ she began collaborating with Jam and ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Lewis on more socially conscious ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ material, which formed the backbone of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 1989's Rhythm Nation 1814 (the "1814" ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß purportedly stood for either the letters ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ "R" and "N" or the year "The ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Star-Spangled Banner" was written). ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Actually, save for the title track, Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß most of the record's singles were bright ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß and romantically themed; four of them ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "Miss You Much," "Escapade," "Black ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Cat," and "Love Will Never Do (Without ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ You)" hit number one, and three more ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² "Rhythm Nation," "Alright," and "Come ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Back to Me" reached the Top Five, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ making Jackson the first artist ever to ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² produce seven Top Five hits off of one ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý album (something not even her brother Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Michael had accomplished). Aside from a ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß greater use of outside samples, Rhythm ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Nation's sound largely resembled that of ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Control, but was just as well-crafted, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ and listeners embraced it ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² enthusiastically, buying over six ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß million copies. Jackson undertook her ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ first real tour (she'd appeared at high ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² schools around the country in 1982) in ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý support of the album and it was Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß predictably a smashing success. In 1991, ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Jackson capitalized on her success by ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ jumping from A&M to Virgin for a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² reported $32 million, and also secretly ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ married choreographer and longtime ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² boyfriend Ren Elizondo. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Once on Virgin, Jackson set about ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² revamping her sound and image. Her 1992 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý duet with Luther Vandross from the Mo' Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Money soundtrack, "The Best Things in ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Life Are Free," was a major R&B hit, also ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ reaching the pop Top Ten. The following ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² year, she also resumed her acting ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ career, co-starring in acclaimed ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² director (and former junior high ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß classmate) John Singleton's Poetic ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Justice, along with rapper Tupac Shakur. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² But neither really hinted at the sexy, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý seductive, fully adult persona she Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß unveiled with 1993's janet., her Virgin ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß debut. Jackson trumpeted her new image ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ with a notorious Rolling Stone cover ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² photo, in which her topless form was ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ covered by a pair of hands belonging ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² to an unseen "friend." Musically, Jam ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß and Lewis set aside the synthesized funk ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ of their first two albums with Jackson in ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² favor of warm, inviting, gently ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý undulating grooves. The album's lead Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß single, the slinky "That's the Way Love ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Goes," became Jackson's biggest hit ever, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ spending eight weeks at number one. It ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² was followed by a predictably long ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ parade of Top Ten hits "If," the ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² number one ballad "Again," "Because of ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß You," "Any Time, Any Place," "You Want ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ This." janet.'s debut showing at number ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² one made it her third straight ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý chart-topping album, and it went on to Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß sell nearly seven million copies. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ In 1995, Janet and Michael teamed up for ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the single "Scream," which was ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ supported by an elaborate, ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² award-winning, space-age video that, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß upon completion, ranked as the most ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ expensive music video ever made. The ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² single debuted at number five on the pop ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý charts, but gradually slid down from Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß there. In 1996, A&M issued a ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß retrospective of her years at the label, ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Design of a Decade 1986-1996; it ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² featured the Virgin hit "That's the Way ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Love Goes" and a few new tracks, one ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² of which, "Runaway," became a Top Five ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß hit. Jackson also signed a new contract ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ with Virgin for a reported $80 million. ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Yet while working on her next album, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Jackson reportedly suffered an Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß emotional breakdown, or at least a ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß severe bout with depression; she later ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ raised eyebrows when she talked in ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² several interviews about the cleansing ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ value of coffee enemas as part of her ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² treatment. Her next album, The Velvet ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Rope, appeared in 1997, and was touted ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ as her most personal and intimate work to ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² date. The Velvet Rope sought to combine ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý the sensuality of janet. with the more Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß socially conscious parts of Rhythm ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Nation, mixing songs about issues like ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ domestic abuse, AIDS, and homophobia ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² with her most sexually explicit songs ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ever. Critical opinion on the album ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² was divided; some applauded her ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ambition, while others found the record ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ too bloated. The lead American single ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² "Together Again," an elegy for AIDS ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý victims, was a number one hit; also Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß popular on the radio was "Got 'Til It's ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Gone," which featured rapper Q-Tip and a ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ sample of Joni Mitchell over a reggae ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² beat. "I Get Lonely," featuring ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Blackstreet, was another big hit; but ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² on the whole, The Velvet Rope didn't ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß prove to be the blockbuster singles ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ bonanza that its predecessors were, which ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² was probably why its sales stalled at ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý around three million copies. Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Jackson toured the world again, and stayed ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ on the charts in 1999 with the Top Five ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Busta Rhymes duet "What's It Gonna ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Be?!"; her appearance in the video ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² remade her as a glitzy, artificially ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß costumed, single-name diva. In 2000, she ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ appeared in the Eddie Murphy comedy Nutty ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Professor II: The Klumps, and her ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý soundtrack contribution, "Doesn't Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Really Matter," became a number one ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß single. Unfortunately, Jackson's marriage ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ to Elizondo had become strained and the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² couple divorced in 2000, sparking a ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ court battle over her musical income. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Jackson returned with a new album, All ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß for You, in 2001, which largely ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ continued the sensual tone of janet. and ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² The Velvet Rope; it debuted at number ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý one, selling over 600,000 copies in its Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß first week alone. The title track was ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß issued as the album's first single and ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ quickly topped the charts, followed by ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² another sizable hit in "Someone to Call ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ My Lover." ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß While Jackson spent much of 2001 and 02 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ on the road supporting All For You, she ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² also found time for some guest ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý appearances, most notably with Beenie Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Man on his Tropical Storm LP and Justin ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Timberlake on Justified, his solo debut. ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ By 2003 she was back in the studio, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² working once again with Jam and Lewis ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ on tracks for a new album; additional ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² producers included Dallas Austin and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Kayne West. Later that year, it was ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ revealed Jackson would take part in an ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² MTV-produced extravaganza during ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý halftime at the Super Bowl. 2004 began Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß with an Internet leak of the upbeat ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Austin production "Just a Little While". ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ The singer's camp rolled with the ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² punches, offering the track to radio as ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ an authorized digital download, but ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² the buzz this business caused was ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß minuscule in comparison to the nightmare ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ union of free exposure and bad publicity ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² that Jackson's next adventure caused. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Appearing at halftime of Super Bowl Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß XXXVIII as scheduled, Jackson performed ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß "All For You" and "Rhythm Nation" before ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ bringing out surprise guest Timberlake ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² for a duet on his hit "Rock Your Body". ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ But the real surprise came at song's ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² end, when a gesture from Timberlake ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß caused Jackson's costume to tear, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ exposing her right, pierced breast on ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² live television to hundreds of millions ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý of viewers. The incident caused furious Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß backpedaling and apologizing from ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Timberlake, Jackson, the NFL, CBS, and ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ MTV, which swore no previous knowledge ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² of the so-called "wardrobe ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ malfunction", and led to speculation ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² over how Damita Jo - Jackson's upcoming ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß album and her first in three years - ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ would be received. But while the ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² controversy gave Jackson both grief and ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý a bit of free advertising, it was also Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß the impetus for a national debate on ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß public indecency. A federal commission was ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ set up to investigate prurience, the FCC ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² enacted tougher crackdowns on TV and ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ radio programs broadcasting ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² questionable content, and suddenly ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß everyone from pundits to politicians to ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ the man in the street had an opinion on ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Janet Jackson's chest. Later that March, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý the singer quietly started making the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß talk show rounds. 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