Üܲ²ßßßß²Ü ÜÜÜÜÜ ÛÛ²Ý ßÛÜÜ ÜÛÛÛÛÛßßß²ÜÜ ÜÜÜÜÜÜÜÜ ßßÛÜÜ ßÛÛÛÜÜÜ Ü ÛÛÛÛß ß²Ü ÜÜÜܲ²²ÛßßßÛÛÛÛÛÛÛÛ²Ü ÜÜþßßß ßÛÛÛÛ²²ß ßÛÛÝ ÞÝß²ÛÛÛÛÛÛßßßÜÜÜÛßßß ßÛ²²Ü ܲ²²²Ü ÛÛÝ ÜÜÛÛÜÜßÛÛÛÝ ß²Ü Üß ßßÛÜÜÜßß²ßß ÜÜÜ ÞÛÛÛÛÜ ÞÝ ßß²²ÜÛÛ ÜÜÛÛÛÛÛÛ ßÛ²ÛÛÛÜÜ ßßß ßß ÜÜÜÛÛÛÛÛÛß ÜÜÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛÛ ßþÜ ßß ÜÜÛÜÞÛÛÛÛÛÛÛÝ ßßß²ÛÛÛÛÜÜÜÜÜÜÛÛÛ²²ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛßßÛÛÛßÜÛÛÛÛßßÛܲ Üܲ²²ßßÛÛÛ²²ÛÛÛÛÛÛÜÜ ßß²ÛÛÛßßß ÛÛÛÛÛÛÛÛßÜÛÛÛÛÛÛß ÞÛ²Û²ßßÜÜÛÛÛÛß Ü²²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ ²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ² ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ² ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²² ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²² ²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ Ü²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß Ü²ßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Mary Fahl ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: The Other Side Of Time ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Odyssey / Sony Classical ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß ÜÜßß ÜÛÛÛÛÛÛß RIPPER: Team RNS ßÛÛÛÛÛÛÜ Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ßÛÛÜ ÞÛÛÛÛÛÛ 192kbps - Classical Þ²ÛÛÛÛÛÝ ßÛÛÜ ßÛÛÛÛÛÝ 1hr 01min total- 88.5mb ÛÛÛÛÛÛß ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2003-05-27 ÛÛß ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2003-04-07 ÜÛÛÝ ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 01 The Great Unknown 4:42 ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Going Home 4:50 Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 Want To 4:35 ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß 04 Ben Aindi Habibi 4:07 ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ 05 Redemption 4:45 ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² 06 Paolo 4:33 ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ 07 Una Furtiva Lagrima 3:51 ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 08 The Other Side Of Time 4:11 ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß 09 Raging Child 4:25 ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ 10 Annie, Roll Down Your Window 3:58 ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² 11 The Station 4:46 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý 12 Kindness Can Be Cruel 4:18 Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß 13 Dream Of You 3:45 ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß 14 The Dawning Of The Day 4:34 ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Fahl is already known to discriminating Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß listeners as the richly evocative voice ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß of October Project, whose two albums ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ earned her copious critical acclaim and ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² a loyal fan base. The Other Side of ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Time launches an exciting new phase in ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Fahl's musical life, unveiling an ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß impressive songwriting talent as well as ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ an ability to seamlessly weave a broad ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² range of musical idioms into her own ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý distinctive, deeply personal sound. Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß That sound also lends a special ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß eloquence to the soundtrack of the new ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Focus Features film The Guys, directed ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² by Jim Simpson and starring Sigourney ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Weaver and Anthony LaPaglia. For this ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² highly personal drama set just after ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß the World Trade Center attacks, Fahl ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ sings "The Dawning of the Day," a ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² traditional Irish melody, arranged by ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý composer Mychael Danna, for which she Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß has also written original lyrics that ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß echo the valor and humanity of New York ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ firefighters. The Other Side of Time ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² will include another song, "Going Home" ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ which she sings on the soundtrack of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² director Ron Maxwell's epic Civil War ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß drama Gods and Generals, a Warner Bros. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Release. The singer wrote the song with ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Glenn Patscha and Byron Isaacs. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Soundtrack recordings of both The Guys Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and Gods and Generals are Sony Classical ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß releases. ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "I wanted to make a record with a mature ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² sensibility," says Fahl, whose ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ unaffected manner belies the diva ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² image that her commanding voice and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß stage presence might suggest. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ The Other Side of Time complements Fahl's ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² vivid contralto with spacious ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý instrumental arrangements that match Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß her voice with an array of acoustic, ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß electronic and orchestral textures. The ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ result is a soaring, sometimes exotic ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² sound that's both expansive and ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ intimate, ethereal and earthy. Fahl's ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² emergence as a songwriter (she co-wrote ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß all but two of the album's thirteen ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ songs) yields rich results on such ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² bittersweet originals as "In the Great ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Unknown," "Dream of You," "The Station" Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and the sweeping "Going Home." The ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß artist's diverse tastes are further ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ reflected in a personalized reading of ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² the Gaetano Donizetti aria "Una Furtiva ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Lagrima" that strips away all traces ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² of melodrama to cut to the piece's ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß emotional core; and "Ben Aindi Habibi," ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ a swirling, seductive piece adapted from ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² traditional jarchas, erotic poetry ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý written by Moorish women during 11th Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß and 12th centuries. ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß The Other Side of Time teams Fahl with a ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ formidable set of collaborators, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² including Grammy-winning ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ producer/engineer Jeffrey Lesser, who ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² first worked with Fahl on her ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß independently released 2001 EP Lenses of ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Contact and whose credits include work ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² with artists as diverse as Barbra ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Streisand, Lou Reed and The Chieftains; Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß and renowned arranger John Lissauer, ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß revered for his work on many of Leonard ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Cohen's seminal albums. Fahl also ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² combines her compositional talents with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ a variety of co-writers, including ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Academy Award nominee Ramsey McLean, ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß known for his work with Harry Connick ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ Jr.; Bob Riley, leader of the ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² well-regarded alternative pop band Grace ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý Pool; and noted theater composer Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Stephen Schwartz. Also featured are a ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß roster of top-flight players, including ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ guitarists Oren Bloedow, Kevin Kuhn, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Glenn Alexander; bassists Tony Garnier, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Byron Isaacs and Mark Egan; ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² keyboardists Scott Healy, Glenn Patscha ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß and Henry Aronson; violinist Mark ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ O'Connor, drummer Shawn Pelton and ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² theremin player Pamelia Kurstin. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Fahl (who names Sarah Vaughn, Sandy Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Denny and Nico amongst her favorite ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß singers) was born in Rockland County, New ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ York, and studied medieval literature at ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Montreal's McGill University, where she ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ simultaneously pursued her interests ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² in music and acting. "I've always had ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß a big voice and I'm very comfortable on ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ stage," she says, "but I've never had any ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² vocal or classical training-which may ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý have been a good thing in some ways. I Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß didn't have to unlearn anything, and my ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß style of singing doesn't conform to any ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ rules except my own." ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² After college, Fahl gained valuable ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ performing experience during an ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² 18-month stay in Europe, where she ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß found work singing jazz standards with ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ expatriate American musicians in clubs in ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Holland. Later, while studying acting ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý in New York, she met a group of Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß musicians with whom she co-founded ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß October Project. The group signed with ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Epic Records and released a pair of ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² well-received albums, 1993's October ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Project and 1995's Falling Farther In. ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Following the band's dissolution, Fahl ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß set out to build a solo career on her ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ own terms. She recorded a demo that ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² became the four-song Lenses of Contact ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý on her own Roughmix label; that disc Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß also debuted The Other Side of Time ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß tracks "Raging Child," "Paolo" and ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ "Redemption." She put together a ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² touring band and began performing live ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ shows for the first time under her own ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² name, and found that her fans hadn't ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß forgotten her. All the while, she ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ continued to hone her rapidly evolving ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² songwriting skills. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý "I had been writing for years," says Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Fahl. "I had notebooks full of ideas ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß for songs and a box full of cassettes with ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ melodies that I'd hummed into my tape ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² recorder, but I knew that I needed to ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ throw my work into the crucible, to ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² test myself." Working with various ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß co-writers, she soon gained confidence ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ in her songwriting. "In terms of my ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² music, I've probably been most ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý influenced by European writers like Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Jacques Brel and Michel Legrand. At the ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß same time, I definitely have my roots in ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ American pop-Tom Petty, for instance. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² I've always loved the lean, direct way ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ he builds his songs to these really ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² dramatic, emotionally satisfying ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß choruses. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ "It took me awhile to identify what kind ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² of solo artist I wanted to be," Fahl ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý continues. "The more I wrote and sang Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß what I loved without thinking where it ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß would 'fit' into current trends, the ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ closer I came to discovering what made ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² me unique. By the time I signed with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Sony, I had been incorporating all ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² kinds of classical material into my ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß live shows and my writing had grown ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ more, well, I guess you could say ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² 'cinematic.'" Her live audiences were ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý enthusiastic about this new turn and so Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß was her new label. "It was incredibly ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß liberating to have a record company that ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ encouraged me to take these kinds of ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² chances." ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ With The Other Side of Time launching ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² her solo career on a high note, Mary ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Fahl is focusing on the future. "I'm ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ excited by the prospect of touring ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² again," she says. "The intensity of ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý live performance and the intimacy Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß established with an audience energize ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß me." ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ "When you're really moved by music, or ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² film, or theatre or any kind of art, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ you feel you've been transported, and ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² that feeling stays with you," Fahl ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß concludes. "Taking the listener on an ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ emotional journey has always been my goal ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² whenever I'm making a record or ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý performing live, and I hope we've Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß achieved it with this album." ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß ÜÛÛÛÛÛß ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ ÜÛÛÛÛÛÛÛÛßß²²²ÜÜÜÛÛÛÛÛ²ÛÛßßßßÛÛÜ ÜÜÛÛßßßßÛÛ²ÛÛÛÛÛÜÜܲ²²ßßÛÛÛÛÛÛÛÛÜ ÜÛÛÛÛÛßÜÛÛÝ ßßßßßÛÛÛÜ ßÛÛÛÛß ÜÛÛÛßßßßß ÞÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÛÛÛßß ßßÛÛÛ ßÛÛÛÛÛÜÜÜÛÛÛÛÛß ÞÛÛÛÛÛÛ ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß ßßÛÛÛÜÜÜ ÜÜÜÛ²ßß ßß²ÛÜÜÜ ÜÜÜÛÛÛßß ÛÛÛÝ ÞÛÝ ÜÜÛß Û ßÛÜÜ ÞÛÝ ÞÛÛÛ ßÛÛÜ ÜÛß ÜÜÜÛÛßß ÛÛÛ ßßÛÛÜÜÜ ßÛÜ ÜÛÛß ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß ßßßß ÞÛÛÛÛÛÛ ßßßß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÜÛÛÛÝ ÞÛÛÛÛÛÝÞÛÛÛ ÛÛÛÛÛÛÜÛÛÛÛÝ ÛÛÛÛÛÝÞÛÛÛÛÛ ÛÛÛÛÛݲÛÛÛÛÛ ßÛ²ßÜÜÜÜÜ ÛÛÛÛÛ°ÛÛÛÛÛÛ ß²²ÛÛÛÛÛÛÛÛÜÜ Þ²ÛÛÛ°ÛÛÛÛÛÛ ÜÜÜÜÜß²Ûß ßÛÛÛÛÛÛÛßßÛÛÛÜÜ ²ÛÛÛÛÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛ²²ß ßÛÛÛÛÛÛÛÛÜÛßßÛÛÜÜ ßÛÛÛÝÞÛÛÛ²Ý ÜÜÛÛÛßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛÛÜ ²ÛÛÝÞÛÛ²² ÜÜÛÛßßÛÜÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜÜßßÛÜ ²ÛÛ Û²²Ý ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÛßÛÛ ²² ²²ÜÛÛßÜÜÛÛÛÛÛÛÛÛÛÛß ßßÛÛÛÛÛÛÛÛÛÜÛÝÞ²Û²ÝÛ²²ÛÛÛÛÛÛÛÛÛÛß ÜÜÜÜÜÜÜÜÜÜÜÜ ßßÛÛÛÛÛÜ ÛÛ²²ÛÜÛÛÛÛÛÛÛÛÛßß ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜܲ²ß²ÜÛÛÛÛÜÛÛÛÛÛßß ÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛßßÜÜÜÜßßßßßßß²²²ÛÛÛÛÛÛÛÛÛ²²²Ü²ß²²ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜ ßÛÛÛ²²²ÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜßÛßÛÜÜÛÛßÛß²²²ßßßßßßßßÜÜÜÜÜÜÜÜßßßÛßÛÛÛÛÛÛÜÜ ßßß²²²ÛÛÛÛÛÛÛ²²²²ÛÛÛÛÛÛÛßßß ÜÜßÜÛÛÛÛÛÛÜßÛÜÜ ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßßß ßßßßßßßßßß ÜÜÛÛßÛÛÛßßÛÛÛßÛÜßÛÛÛÛÜÜ ßßßßßßßß ÜÛÛÛÛÛÛÛÛ ÛÛÛ ÛÛÜßÛÛÛÛÛÜ ÜÛÛÛÛÛÛÛß ÛÛÝ ßÛÛÛÛÛÛÛÛÜ ÛÛÛÛßßß ÞÛÛÝ ßßßÛÛÛÛ ÞÛÛÛ ÛÛ² ÞÛ²Ý ß²ÛÜ ßß