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Although ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² they had formed in the late '80s and ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß had several hits during the height of ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Madchester in the early '90s, the band ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² didn't earn a large following until ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý 1996, when their second album, Moseley Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß Shoals, became a multi-platinum success ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß story in the U.K. Their ascent was greatly ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ aided by Paul Weller and Oasis' Noel ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Gallagher, both publicly praised Ocean ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Colour Scene for keeping the flame of ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² real rock & roll burning during the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß '90s. And, according to one specific ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ definition, they were right, since Ocean ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Colour Scene was nothing if not rock & ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý roll traditionalists, drawing heavily Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß from British Invasion pop, psychedelia, ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß soul, R&B, and blues-rock to create a ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ reverential homage to classic rock. ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Their devotion to trad rock may have ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ earned them decidedly mixed reviews, ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² but that was the very thing that earned ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß them a sizable following. ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Ocean Colour Scene is comprised of Steve ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Cradock (lead guitar, keyboards, ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý vocals), Simon Fowler (lead vocals, Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß guitar), Damon Minchella (bass), and ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Oscar Harrison (drums). Prior to forming ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ in 1990, the members of the band had ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² played in a variety of other groups. ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ During the late '80s, Cradock played ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² in a mod revival band called the Boys. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Though they released an independent EP ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ called Happy Days and supported former ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Small Faces frontman Steve Marriott, the ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý band never gained much of an audience. Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß At the same time the Boys were active, ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß Fowler and Minchella were in a Velvet ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ Underground-influenced group called ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² Fanatics, who released an EP, Surburban ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ Love Songs, on the independent label ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Chapter 22 in the spring of 1989. ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Following the release of the single, the ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ group's original drummer, Caroline ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² Bullock, was replaced by Harrison, who ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý had previously played with a Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß reggae/soul band called Echo Base. ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß Shortly after Harrison joined Fanatics, ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ the group split up. Several months after ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² their disbandment, Fowler, Minchella, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ and Harrison formed Ocean Colour Scene ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² with Cradock, who they met at a Stone ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß Roses concert. ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² Appropriately, Ocean Colour Scene was ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý initially heavily influenced by the Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Stone Roses. After performing a few ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß concerts, the group built a small fan base ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ and signed with a local indie label, ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² !Phfft. Shortly after signing with ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ !Phfft, Ocean Colour Scene became ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² hyped as "the next big thing" by the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß British music weekly press, as their ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ live shows and debut single, "Sway," ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² earned extremely positive reviews during ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ ß ßßÛÛÛÜ Ü²²Û²Ý the first half of 1990. In the spring Þ²Û²²Ü ßÛÛÛÛÛÛÛß ÞÛÛÛÝÜÛÛÛÛÛß of 1991, they headed into the studio to ßÛÛÛÛÛÜ ßßß Ü ÜÛÛÛÜÛÛÛÛÛß record the debut album with Jimmy Miller, ßÛÛÛÛÛÜ ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ who worked on the Rolling Stones' ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² classic albums of the late '60s and ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ early '70s. Instead of concentrating ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² on work, the band essentially drank ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß away their hours in the studio, ßÛÛÛÛÛÛÛß²ÜÜÜ ÜÜÜ ßßÛÛÜ resulting in a batch of uneven ÜÛÛßßþ ßÛÛÛÛÜ ÜÛÛÛÛßßßÜ ÞÛÛ² recordings. Unsatisfied by the tapes, ²ÛÛÝ ÞÝ ÞÛÛÛÛ ÞÛÛÛÛÝ Üܲ²Û²Ý the band headed back into the studio Þ²Û²²Ü ßÛÜÜÜÛÛÛß ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß with Hugo Nicolson, who had previously ßÛÛÛÛÛÜ ßßß ßßÛÛÛßÜÛÛÛÛÛß worked with Primal Scream. ßÛÛÛÛÛÜ ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ ÞÛÛÛÛÛ ÞÛ² By the time they completed the record, ²ÛÝ ÛÛÛÛÛÝ ÛÛÛÛÛÝ ÛÛÛÝ !Phfft had been acquired by Fontana ÞÛÛÛ ÞÛÛÛÛÛ ßÛÛÛÛÛÜ ²ÛÛ² Records, who bought the indie with the ²ÛÛ² ÜÛÛÛÛÛß ßßÛÛÛÛÛÛÛß intent of owning the rights to Ocean ßÛÛÛÛÛÛÛÛÛ ßßÛÛÜ Colour Scene. Despite their enthusiasm ÜÛÛßßÛÛÛ ß Ü ÜÜÜÜÜ ÞÛÛ² for the band, the