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General infos ..; ßß²ÛÛÜÜ °²ÛÛÛÛÛÜÜÜÜÜÜÜ ßßÛÛÛÛÜÜ° ÜÛßÛßß ßßÛßÛÜ ÜÜÛÛÛÛßß ßÛÛÛÛÛÛÜÛ Û Û ÛÜÛÛÛÛÛÛß ßßÛÛÛ ² Type ........: Album ² ÛÛÛßß ß ÛÛ ° Music Style .: Rock ° ÛÛ ß Ü ÞÛ Release.Date : 04.01.2013 ÛÝ Ü ß²ß ÞÛ Release.Size : 70,3 MB ÛÝ ß²ß Û Playtime ....: 35:46 min Û ÜÜÛÛ ÛÛÜÜ ß ÜÛÛÛß Û Grabber .....: eac Û ßÛÛÛÜ ß ÜÛÛ²ßܲÜÛ Encoder .....: Lame 3.98 ÛܲÜß²ÛÛÜ ÛÛÛÛÛ ß Û Label..:.....: Drag City Û ß ÛÛÛÛÛ ÛÛÛ²° Û Source ......: CDDA Û °²ÛÛÛ ÛÛ²° Û Tracks ......: 12 Û °²ÛÛ ÛÛ²° Û Bitrate......: avg. 274kbps Û °²ÛÛ ÛÛÛ²° Û Frequency....: 44,1kHz Û °²ÛÛÛ Ü ßßÛÛ°ÜÜ Û Mode ........: Joint-Stereo Û ÜÜ°ÛÛßß Ü Ü ßßßÜÜ ÜÜßßß Ü ß²ß ßÛÛÜ Ü²Ûß ß²ß Ü ß²Û ÛÛ Ü ß Üß ßÜ ß Ü Ü ß ..;.TracKList.;.. ß 01 ::: Thank God For Sinners ::: 02:50 02 ::: You're The Doctor ::: 02:01 03 ::: Inside Your Heart ::: 03:41 04 ::: The Hill ::: 02:39 05 ::: Would You Be My Love ::: 02:16 06 ::: Ghost ::: 04:14 07 ::: They Told Me Too ::: 03:06 08 ::: Love Fuzz ::: 03:34 09 ::: Handglams ::: 03:19 10 ::: Who Are You ::: 02:04 11 ::: Gold On The Shore ::: 02:36 12 ::: There Is No Tomorrow ::: 03:26 Total ::: 35:46 ° ..;Release Notes;.. ° ° Ty Segall is in an odd position. The San ° ° Francisco garage-rocker has always been ° ° prolific, but after four years of albums, ° ° collaborations, singles, and covers, his ° ° discography has become particularly ° ° unwieldy. His output from the past year ° ° alone has been diverse. On Slaughterhouse ° ° (and on stage), he's an impish, thrashing ° ° apostle of hardcore and 1970s hard rock. ° ° With Hair, his collaborative album with ° ° White Fence, he angled for jam-heavy, ° ° psych-leaning rock'n'roll. Only a year ° ° ago, he delivered his "serious" album ° ° Goodbye Bread, where he both cooed calmly ° ° and screamed about an exploding head. ° ° Impressively, all three of those albums ° ° are really good. It's a testament to ° ° Segall as a restless songwriter who can ° ° adapt to, and successfully execute, ° ° several different styles. So here we are ° ° with Twins, his third LP of 2012, which ° ° stands at the intersection of all of his ° ° recent interests. ° ° ° ° In the tradition of Lemons and Melted, ° ° which each had ballads alongside searing ° ° garage punk, the new album doesn't have a ° ° unified focus. With the exception of ° ° frenzied, shredding highlight "You're the ° ° Doctor", there's nothing especially ° ° aggressive. "Gold on the Shore" is his ° ° acoustic-driven, folky, sentimental love ° ° song. Then there's "The Hill", the bleary ° ° psych track where Segall's voice recalls ° ° John Lennon's on "Tomorrow Never Knows". ° ° (The track also features some beautiful ° ° vocals from Thee Oh Sees' Brigid Dawson.) ° ° There are familiar elements from Segall's ° ° backlog in play, like that specific fuzz ° ° guitar tone, which is something like his ° ° trademark at this point, and some ° ° two-minute songs-- a number that's ° ° especially apparent on his recent Singles ° ° collection. Those bite-sized singles pop ° ° next to lengthier tracks like "Ghost", ° ° the slower stoned jam, or the romantic ° ° and apocalyptic closer "There Is No ° ° Tomorrow". With each new song, hook, ° ° idea, and tone, it's increasingly clear ° ° that Twins doesn't fit in any one box. ° ° It's a grab bag, and it's easy to view it ° ° as a disappointment-- to look at Segall's ° ° disparities in 2012 and want him to pick ° ° a sound and follow it for 12 tracks. But ° ° alongside his engineer partner Eric Bauer ° ° (often credited as "King Riff"), he ° ° delivers a series of songs that, despite ° ° their aesthetic differences, flow very ° ° well. Even when he makes a significant ° ° jump, like from the giddy rampage of ° ° "You're the Doctor" to the paranoid ° ° stoicism of "Inside Your Heart", there's ° ° usually an easy thematic or sonic ° ° transition that keeps the album from ° ° sounding like a compilation. In that way, ° ° it's close in format to Goodbye Bread, ° ° which maintained cohesion despite several ° ° shifts in delivery and tone. Twins' ° ° offerings, however, are far more sugary ° ° and immediate: faster tempos, thicker ° ° fuzz, more power. ° ° ° ° Lyrically, Segall thrives in two modes: ° ° songs about love with very ° ° straightforward wording ("Love Fuzz" is a ° ° falsetto stab at seduction; the content ° ° of "Would You Be My Love" is pretty much ° ° stated right there in the title), and ° ° stories with a more fantastical bent. The ° ° latter approach was prevalent on ° ° Slaughterhouse and especially "I Bought ° ° My Eyes", and it comes into play here ° ° with the darkly abstract "Handglams" and ° ° the creepy "is it living inside of me" ° ° tale of "Inside Your Heart". ° ° In the liner notes, Segall writes two ° ° things that feel fitting for Twins. "This ° ° record is for San Francisco." That makes ° ° sense-- the man's a frontrunner to become ° ° San Francisco's garage laureate. But he's ° ° also talking about his friends and ° ° inspirations-- he mentions White Fence's ° ° Tim Presley, Thee Oh Sees' John Dwyer, ° ° and the rest of the Ty Segall Band by ° ° name. It's easy to hear how the album ° ° fits tidily in San Francisco's bigger ° ° picture-- to hear Dwyer's ° ° "falsetto-as-primary-vocal" on "Love ° ° Fuzz" and "Handglams", to hear Sic Alps' ° ° elegant minimalism on "Gold on the ° ° Shore", to hear the whole town's penchant ° ° for mysterious and druggy storytelling, ° ° etc. ° ° ° ° His final "thank you" in the liner notes ° ° goes to Neil Young, an artist who, as ° ° soon as the masses pegged him with a ° ° genre, did whatever the fuck he wanted to ° ° do and didn't look back; who never ° ° compromised on his vision, even when it ° ° meant making a bizarre, shitty rockabilly ° ° album in 1983; who famously "headed for ° ° the ditch" when he felt his radio hits ° ° were "middle of the road." Twins doesn't ° ° stick to the middle or even pick a lane. ° ° It swerves, visiting territory well-tread ° ° with a perspective that feels new, and ° ° knowing Segall, he probably won't make ° ° another album that sounds like it any ° ° time soon. ° ° ° ° ty-segall.com ° ± ß ß ± ² Üß ßÜ ² Ü þ þ Ü ß Ü ß Üß Û Ü Û ßÜ ÛÛ ß Û ÜÛÛÛÜ Û ß ÛÛ ÛÛÜ Û ß²ÛÛß Û ÜÛÛ ßÛÛÛÜÛÜ ÜÛÛÜ ÝßÞ ÜÛ²Ü ÜÛÜÛÛÛß ßßÛÛÛÛÜÜ ß²ÛßÜ ÞÝ ÞÝ ÜßÛÛß ÜÜÛÛÛÛßß ßßßÛÛÛÜÜ Ü ÞÝ ÞÝ Ü ÜÜÛÛÛßßß aeskii by Ü ßßÛÛÜÜ Üß ßÜ ÜÜÛÛßß Ü ß²ß ² ßÛÛÜ Ü ÜÜ ßßßßßßßßßßßßß ÜÜ Ü ÜÛÛß ² ß²ß k!ND ° ß²Û Ûßß ÛÜ ÜÛ Ûßß Û²ß ° ß Üß ÛÜÜ Û ß Û ÛÜÛ ßÜ ß v0.2 ß Ü ß ..;. Council Music Group .;.. ß Ü ß